#this is how the system was designed. and it works for the rich to make them richer. but everything else is on fire.

[maretriarch]

"intuitive eating" promoting dieticians are like the emperors new clothes tailors of diet fads theyre literally selling you nothing

[thenwethrowitonthefire]

Our previous-prime-minister-now-head-of-navo currently keeps saying that we should prepare for war which might break out between now and the next 5 years.

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[megaderping]

I feel like when people compare Akechi to Light Yagami, they fundamentally misunderstand his character. Their similarities really end at their designs, and Light is the kind of person Akechi would despise. Light Yagami lives a pretty privileged life at the start of Death Note. He has a stable home, with two parents and a sister who care about him. He's a successful student. There isn't really inherent tragedy to his life. The whole reason he starts using the Death Note is a mix of curiosity and a jaded worldview, and when it works it empowers him, very quickly goes to his head, as he believes he is one who can be a god of a "new world" once the shock of his initial kills wears off. While his first kill was to help someone, that altruism didn't last. He is in charge of his choices, while Ryuk mostly vibes and maybe eggs him on a little. Fundamentally, Light has something Akechi lacks: agency, and a comfortable life he took for granted. Meanwhile, Akechi is someone who lived on the bottom rung of Japanese society. His very existence is shameful there, between his mother being a sex worker, his status as an illegitimate/"throw away" child, and his mother's suicide. Years languishing in a foster system that is notoriously inhumane, in a country where 90% of the adoptions are grown men for inheritance and patriarchal reasons, while very few children in the system find permanent homes. When Akechi awakens his power, he approaches Shido not because he wants to kill people but for a stupid revenge plan cooked up by a traumatized child who's been nudged along by a malevolent god. He wants to build Shido up so that at the height of his power, he can expose him for the monster he really is, while another part of him genuinely wants to be useful to Shido, as Cogkechi later calls out. His feelings are a mess of contradictions, and so it's no surprise that Shido was able to mold him into his assassin at only 15 years old. It's also worth noting that Akechi only approaches Shido with his ability to cause psychotic breakdowns. Shido is the one who teaches and instructs him to do shutdowns. He's still complicit, very sunk cost with his revenge plan, but as I spoke of here, even if he wanted to quit, he couldn't alone. Shido's cleaner and control of the law and ability to effortlessly turn him in would render the Metaverse his only safe haven. I think people look at 11/20 Akechi and Akechi in the early parts of the engine room and assume that's just his "true self," when in reality it's another mask. Royal makes it very clear because in Rank 7, he outright warns Joker of what's to come via a pool metaphor and offers an out (though he's MUCH happier if you don't take it/stick to your principles), and in Rank 8, he goes on that big "I hate you" speech... while Sunset Bridge is playing. Y'know, the song that plays at the end of most confidants to reaffirm bonds. So when he smiles as he shoots what he assumes to be Joker, that doesn't mean he's genuinely happy. More likely, he's an emotional clusterfuck, given he also is disoriented enough to namedrop "Shido-san" over the phone, and in the subsequent meeting with Shido, tells him not to kill the Phantom Thieves and that Morgana is "just a cat." Yes, he says they'll make them fear for the rest of their lives, but remember, he's talking to Shido. The things he says are likely all incredibly calculated to sound appealing to Shido. And when you consider that he planned to utterly destroy Shido's reputation after the election, the "delay" makes even more sense.

Later, Akechi goes on about how the people he induced shutdowns on were deserving of their fates, but I don't think he believes it so much as it's the only way he could convince himself that it was worth it, and given how much society failed him, and given how many of the people he targeted were likely rivals/competitors or rich fucks, I think he'd be less inclined to assume good faith. Kunikazu Okumura was not an innocent little victim, after all. He was one of the people who requested breakdowns and shutdowns the most. I think Akechi enjoyed killing him not because of how it'd hurt Haru, but because of catharsis. Because Okumura is just as monstrous as Shido, so why should he feel remorse? However, I don't believe he feels the same about Wakaba, as when he discusses her with Shido, he mentions how her fate was because she refused to willingly work for him. It's another justification, but I personally think Wakaba's death was the most painful for him because he was effectively making Futaba just like him. That's why I think his reaction to Sae threatening Sojiro's custody was genuine. Anyway, evil grinning Akechi is just another mask, as I said. Keep in mind, this is someone who laments not meeting Joker years ago, someone who Morgana outright points out is lying about his hatred. And that's the thing. Light Yagami, while a really fascinating character, is not someone who had all this childhood suffering or lack of agency. He does not regret his actions in the slightest and goes down due to his own hubris in both the anime and the manga. While you can argue that Ryuk set him up by dropping the Death Note, Light was the one who picked it up and chose to use it. Any nudging from Ryuk didn't coerce Light into doing it because Light seized the opportunity. No, if Light Yagami is like anyone in Persona 5, it's Masayoshi Shido, not Goro Akechi. Both believe they are god/god's chosen, that they are the ones who will reshape the world to their ideals, and to be frank, both use and abuse women to serve their own purposes. Goro Akechi goes down sacrificing himself for the Thieves and pleading with them to stop his father and again in Maruki's reality when he refuses to let Joker accept a gilded prison of a world for his sake when he knows better than anyone what it's like to have no true freedom. If you max his confidant, you see him in the postcredits, leaving his survival entirely possible, and I think it works because at the end of the day, Akechi was meant to be a victim and a foil. Light is a villain protagonist and a cautionary tale. Though its his POV we follow, he isn't someone we're meant to root for, but I definitely don't think enjoying the character is a bad thing at all. He's really interesting! I just think that a lot of the Akechi and Light comparisons are surface level at best.

[nayedoll]

Baby came home

joost klein x fem!reader

rpf below, pls don’t read if you’re uncomfortable!!!

read part 2 here

summary: reader and joost used to be together but broke up. four years later they meet again, having realized their mistakes.

warnings: 18+, nsfw, smut (blowjob, unprotected p in v), angsty

word count: 6k

a/n: this is kiiiiind of based on the songs ‘baby came home’ and ‘baby came home 2/ valentines’ by the nbhd fyi if u want to listen to them!! also im sorry that im yapping sm in the first paragraphs i promise joost is gonna show up lol🥲. anyways enjoy!!!!!!

───────────────────────

You enter the bathroom, the deafening music from the club reducing to a muffled sound as the door behind you closes. Your hand immediately reaches for the sink and you look up to see your blurry reflection in the mirror. The dark red tint of your lipstick has faded by now and your eyes look tired under the bathroom lighting, lightly smudged with mascara.

You take a deep breath, squeezing your eyes shut in order to get ahold of yourself. The floor underneath you is vibrating with the sound of the loud bass, mirroring the quick rhythm of your heartbeat as you open your eyes again, meeting your distressed gaze in the mirror. You feel lost, unable to recognize yourself under the layers of makeup as tears threaten to spill from your eyes.

Today wasn’t supposed to go like this. You expected it to be another long night of partying with your coworkers, the group of you sat in the fancy vip sofas as always, drinking champagne and gossiping. You never really liked them or their snobbish attitude, the only reason you always agreed to go out with them being your job — a stylist for one of New York’s biggest fashion magazines.

You had always wanted to be involved in fashion so naturally when you got the opportunity to work for such a prestigious magazine two years ago, you accepted every part of the job, the good and the bad. It was sort of an unspoken rule; if you wanted to go higher, you’d have to make compromises — and for you that compromise was to tolerate all the rich elites you worked with, pretend to be one of them.

You thought your plan had been working, especially with how your boss was treating you lately, even promising to give you the promotion you so badly wanted and deserved.

So naturally, when she announced another person as the art director today, you couldn’t help but protest, ask for an explanation from your boss who called you crazy in her usual patronizing tone. With the help of alcohol in your system, the complaints soon turned into a heated argument as you resigned, left the table and ended up… here.

Maybe I should have never left the Netherlands; this is the only thought going through your mind right now as you let out one last shaky breath and your tears gradually come to a stop, leaving a reddish blush on your cheeks as a confirmation that you have been crying. You slightly fix your makeup, clearing the smudged mascara under your eyes before leaving the bathroom.

The music gets progressively louder as you re-enter the large venue filled by people dancing.

You glance at the vip section one last time, easily spotting the people you unfortunately know so well, dressed in expensive designer clothes. They are chatting and laughing as if nothing has happened, the same fake smiles lingering on their faces. You scoff to yourself, all those years of working together and not one of them cares enough to check on you.

You don’t bother to stay any longer and make a turn for the exit door, as the music from the club gradually fades.

The familiar security guard opens the door for you and you smile subtly at him for what you hope will be the last time.

The air is cold and humid against your hot body, causing you to wince as you put on your lightweight jacket that doesn’t do much to warm you up.

You look around you, blinded by the vibrant lights reflecting off the windows of the tall buildings and restaurants. Despite how late it is, the city is still as busy as ever with numerous people walking by, going from club to club and the loud music from cars is booming at every corner.

You decide to rest on a wall a few meters away, seeing as your ride home was one of your coworkers but that scenario doesn’t seem very likely anymore.

You pull out a cigarette from your purse and your trembling fingers rush to light it, desperate to feel the addictive burn in your throat.

For the first time in a long while, you suddenly feel better, relieved as if a heavy weight has been lifted off your shoulders. It almost feels liberating to not work at that place anymore, knowing you don’t have to pretend to be someone you’re not, that this may be your chance to escape the toxic environment you’ve been living in and find your old self back.

“Y/n?” A familiar voice pulls you out of your thoughts as you instinctively whip your head to the direction you heard it come from, then pause. In front of you, is standing Joost.

Joost as in your ex boyfriend from the Netherlands.

You met him shortly after having moved to the country because of your dad’s job, both of you being just 17 without the experience of any previous partners and big feelings. It didn’t take long before you got into a relationship, the newfound passion of a first love quickly drawing you closer together and taking over your minds. It was the first time in your life that you had such strong feelings for someone, especially someone you had known for so little at that. You really thought you had found the perfect man, the one you would someday marry and start a life with, no matter the hardships.

But as time passed, the problems soon began to emerge in your relationship. The main issue lied with the fact that you both didn’t exactly know how to convey your feelings and emotions to one another; Joost opted to ignore them and move on, whereas you often came off as controlling and selfish in an attempt to show him just how much you cared.

You loved each other a lot — and you both knew that — but inevitably you broke up with him in the heat of an argument, the biggest one you’d had yet. In the following month, you barely talked and it was then that you made the impulsive decision to move back to New York, finding no reason in staying in Amsterdam anymore. You didn’t tell Joost but he found out eventually, leading to another big argument just one day before your flight and then another month of no contact.

At last, you did talk things through, him calling to apologize and try to make things right again as you cried over the phone because you knew it was too late for either of you to make up for all the problems.

It’s been 4 years since then in which you kept some sort of communication, mostly on your birthdays and on holidays or when he replied to your story sometimes and vice versa.

You stare up at him in shock. “Joost?” You blurt out, blinking repeatedly as if to make sure he is actually here.

He smiles, his dimples bringing back a bundle of memories and you get chills just at that.

“Hey,” He pulls you into a hug which you reluctantly return, careful to not burn him with your cigarette as you linger in his arms a moment longer, taking in the intoxicating smell of his cologne mixed with what seems to be cigarettes.

“How have you been?” You ask, eyeing him up and down.

He looks slightly different, having grown into his face through the years. His hair is still the same shade of blonde, though grown out as it sticks out under his hat and you notice the small trimmed mustache on his face. He’s just about the same height, maybe slightly taller as he towers over you even with your heels on.

“Good, everything’s good I guess,”

“Yeah? I heard your album did well last year,” Albino; It had popped up on your feed a few times but you hadn’t looked into it too much, in fear of undoing all your efforts to get over Joost.

“Are you stalking me?” His question coaxes a laugh out of you as you roll your eyes at him.

“Get over yourself,” You say playfully, “I saw Tantu post about it on Instagram,”

Joost grins and nods as a response. “How have you been?” He redirects your initial question to you.

You take a moment to respond as you awkwardly look away from him. If you were to be honest with him, you’d say you’re basically all alone, crying and second guessing yourself on the daily — also without a job from now on — but you find that it may be too direct of an answer for the situation.

Instead you say, “Not too bad either,” giving him a weak smile.

“Still in fashion?” He asks, his words unknowingly sting but you try your best to look okay.

“Mhm,” You nod, “I uh- I work for a fashion magazine,” Or maybe worked would be a better word, you think to yourself.

“That’s awesome,”

“I guess so,” You can’t help but let a sigh fall from your lips, hinting at the insincerity of your words. Joost senses it because he furrows his eyebrows at you as if to ask you what’s wrong but you don’t let him.

“Want a cigarette?” You hold out your pack of cigarettes that’s almost empty, in hopes of changing the subject. Joost gets the message and takes a cigarette from the package, deciding not to bother you with any more questions. Besides, it isn’t exactly his business after so many years of barely any contact.

You light the cigarette that hangs from his lips as your eyes meet over the small orange flame and you stay silent, watching as he takes a long drag.

“By the way,” You utter “Why are you in New York?” Maybe it’s a dumb question as obviously a trip would be the reason, but frankly you’re more curious about who he is here with.

Joost goes on to explain, “Me and my friends booked this trip a while ago,” He exhales a thick plume of smoke.

“I don’t see anyone here,” You look around, searching for the familiar faces of his friends.

“They’re sitting at that bar over there,” He nods to the small building that is just a few meters away, the one you have passed by countless times after leaving the club. “I just came out here to make a few calls,” He adds.

“To your girlfriend?” You can’t help but ask him, the drinks you had earlier playing a part in your bluntness. You’re not drunk but definitely intoxicated enough to not feel embarrassed, especially when you see how Joost’s face lights up at your question.

“Nee, I don’t have one,” He gives you a cheeky smile, “Why? Are you curious?”

You shake your head, looking down to the concrete ground, “No, just… asking,” Your voice is weak as you shy away from your words.

“Alright,” You hear him chuckle, it makes you smile too for some reason.

“But I’m sure you have a boyfriend,” He says causing you to look back at him in confusion, “He must be waiting for you inside that club,” He points to the same building you were in just a few minutes ago.

“Where did you get that from?” You laugh in between your words, making it clear you do not in fact have a boyfriend.

“I don’t know,” He shrugs his shoulders, smiling down at you. “You’re pretty, why wouldn’t you have a boyfriend?” You bite the inside of your mouth, fighting back a smile but Joost sees you, secretly enjoying the effect his words still have on you.

“Haven’t found the right one yet,” Both of you know that’s not true. You had found the right one, in fact he’s standing right next to you but you both just had to ruin everything.

Joost knows you don’t mean that, but still, the thought that you have moved on from him stings even though it’s normal all these years later. He has matured, you both have and he often thinks how things would turn out if you got back together again, right now.

His silence doesn’t go unnoticed by you as you put out your cigarette with the sole of your shoe and turn to fully face him.

“Anyways,” You sigh, “I was going to leave soon,”

“Oh,” Joost takes one last puff of smoke before also putting out the cigarette on the ground, then he looks at you again. “Ja, I should probably head back inside too,” He says but none of you make a move that indicates you’re leaving.

You don’t want to say goodbye and possibly never see him again, knowing that once he’s gone you’ll sink back into the misery of your life. He’s currently the only person you feel comfortable talking to and you don’t want to lose that feeling just yet.

You say, “Joost?” Your voice soft and quiet.

“What?” He gives you a sweet smile.

“Do you want to… come to my place?” You’re reluctant in your words, trying not to make them sound suggestive because really, they aren’t.

“Sure,” He smiles, not having to think about it for long which leaves you satisfied. “I’ll just call Appie to let him know,” He adds, pulling out his phone.

You wait for him to end the call as Joost raises his voice ever so slightly, presumably because the music from the bar is too loud for Apson to hear. Your Dutch isn’t the best but you manage to make out most of what Joost is saying, catching your name in between sentences. You hear Apson yell something on the other line which makes Joost giggle and mumble shut up as you give him a weird look.

He hangs up the phone, “Should we go?” He asks, you nod as you walk with him to a taxi down the road and usher him inside.

The ride is quite long, given the inevitable city traffic as you pass by more tall buildings that are sparkling with light. You’re sitting next to Joost in the backseat as your shoulders lightly bump into one another every time the driver makes an abrupt turn. Joost whispers little jokes to you every now and then, making you laugh with his humor that has not changed one bit. It fills your heart with warmth, reminds you of the old times. You keep glancing at him as he looks out the window and the lights illuminate his face beautifully, bringing out the beauty mark under his lips or how blue his eyes really are. He catches you staring a few times, smiling to himself at your poor attempt to hide it and the pattern repeats itself until you reach your apartment complex.

Joost thanks the driver, quickly closing the car door behind him to catch up with you as you’re already at the old-looking entrance door of the building, unlocking it.

“Quick, quick!” You giggle as he jogs to you in his usual silly manner and you let him in.

You take the elevator and on the way up you lightly hold his hand, bringing it closer to see the tattoos on his knuckles.

He chuckles to himself, “You like them?”

“Mhm,” You nod, letting your thumb lightly graze his digits. Your eyes return to his, he’s much closer now and you feel your heart beating faster than ever with the way he looks down at you, a subtle smile on his lips.

Your faces get closer and closer as you let his hand fall from yours, forgetting all about his tattoo, then ding.

The elevator door opens, revealing the narrow dimly lit hallway your apartment is in and just like that, the moment ends as you both step back from each other and out of the elevator.

You hurry to the end of the cold hallway and unlock the door to your place, ushering Joost inside.

The lights reflecting off of the surrounding buildings come through the big windows of your apartment, illuminating the room with a faint brightness. The space is relatively small and simply decorated, the only luxurious thing about it being the view of the city.

“Do you want anything to drink?” You ask, already making your way into the kitchen. “There’s wine and tequila,” you say loudly.

“Tequila,” Joost responds quickly, taking off his puffy jacket and leaving it on the coat rack next to the door.

By the time you’re back to the living room, Joost is sat comfortably on the big couch and you notice he’s turned on the lamp next to him which now casts a warm yellow light in the room.

You hand Joost his shot placing the half empty tequila bottle on the table, then sit down next to him, maybe in closer proximity than truly needed.

“Cheers!” He grins as you both down the shots, the feeling of the hard liquor going down your throat momentarily giving you goosebumps. Joost drinks it like it’s water before slamming the glass on the table, a sight that makes you laugh in surprise as you remember how easily he used to get drunk when you first met him.

“I needed this,” You sigh, your words implying how shitty your night — or life in general — has been.

Joost narrows his eyes at you; he had already sensed that you’re not well from your previous implications but now he has to ask. Even after everything he still worries the same amount, hates seeing you unhappy.

“You okay?” You turn to look at him, smiling at his question. You can’t even remember the last time someone asked you that.

“Yeah,” You nod repeatedly in an attempt to convince Joost, not wanting to ruin his night with your seemingly unimportant problems but he sees right through you, his face making it clear he doesn’t believe you. “Or no,” you laugh to loosen the tension, covering your face with your hand in disappointment.

“What’s wrong?” Joost asks calmly while he caresses the small of your back.

“I don’t know, it’s just…” you mumble, “Sometimes I get the idea that I made the wrong choice returning here,”

You’re looking away from him, not used to oversharing like this. Usually, you would have stopped at the first sentence but the drinks from the club paired with the shot you just had, make it harder for you to shy away from sharing your feelings.

“Like what if I’m not good enough at this? Maybe this life isn’t for me after all,” Your voice becomes strained as you fight back tears, this being the first time you express your fears out loud.

“That’s not true,” Joost raises his voice ever so slightly, “You’re great with fashion, you’ve always been great. You even picked my outfits for me sometimes, remember?” He chuckles at his last words, the shared memory making you both giggle as you finally face him again.

Your eyes linger in his and you get the urge to kiss him, realizing that you may want this night to end differently.

He stands up straight in front of you and says, “Here,” smiling widely as you look up at him confused, “Judge my outfit,”

“Judge your outfit?” You repeat his words to him and laugh. Joost nods as he turns around, letting you see the full outfit and posing in between. You’re clearly amused, letting small chuckles slip from your lips every now and then, watching as Joost shows off his clothes one by one.

Your eyes can’t help but fall to his belt as he plays with it, the metallic letters that read Albino glowing in the darkness of the corner he’s standing at. Your body feels warmer at that as a sinister thought flashes through your mind which you quickly shake off.

“Models aren’t allowed to touch their clothes, you know?” You point out sarcastically, mimicking the tone that your boss usually had when she talked to the models.

“I’ll keep that in mind, thank you,” He says in a half serious tone as you nod.

“So?” He asks, you’re assuming he’s waiting for you to judge his choice of clothing as you sit up straighter on the couch.

“Well…” You take a coy expression, holding back the smile on your lips, “It could use some changes, with my help,”

“You think?” Joost takes a look at his outfit, not directly understanding the true motivation behind your words. “Like what?”

“Come closer and I’ll show you,” Joost pauses for a second, a smirk grows on his lips as he starts to catch on to what exactly it is that you’re suggesting. He takes a few steps forward, so close to you that your face is practically aligned with his belt as you suck in a deep breath. You don’t really know where you’re going with this but the alcohol in your system doesn’t let you think of your choices thoroughly right now, instead you’re overcome with need, the desire to touch Joost in any way possible.

“I’m all ears,” He says, his voice low and raspy.

You bite back a smile, tugging on the soft material of his t-shirt. “This needs to go,” You say, masking your lust with an innocent voice.

“Do you want to style me or undress me?” Joost raises an eyebrow at you, clearly amused by your intentions.

“I need a clear canvas to work,” You respond coyly and once again pull on his shirt, coaxing him to take it off.

“Fair enough,” Joost pulls the shirt over his head, revealing the blonde hairs on his happy trail. His pants are hanging low on his stomach, making the waistband of his underwear stick out all the more, the letters supreme on it and you shamelessly take in the image of his bare chest.

Joost soon brings his hand to your chin, lifting your head up so that you can see his face clearly. Your body is practically aching with need by now, imagining how his fingers would feel in other parts of your body.

He silently leans down, capturing your lips in a heated kiss. You’re initially taken by surprise as it takes a few seconds for you to part your lips before you finally get to feel him against your tongue. He tastes like cigarettes and liquor but you don’t mind, it only serves as a reminder that this is actually happening.

Joost lowers his body, resting one knee on the couch to balance himself as he pushes you back into the big pillows. His lips wander off to your neck, peppering small kisses on it which later turn into gentle bites that are sure to leave marks on your skin.

“Do you like that?” He asks, noticing the small whimpers that escape your mouth. You hum in agreement, feeling yourself grow more wet under his continuous touch.

“It’s been so long,” He mutters in between more kisses distributed evenly across your neck and jaw. You wonder if he has missed this as much as you have, whether he has also been thinking of you every now and then, searching for you in every girl he has met since you left.

At this point you’re eager, unable to keep your composure any longer. You pull him away slightly, ignoring the confused expression on his face as you quickly shove him back against the couch, switching roles with him.

Your knees fall to the wooden floor, you bring both hands to his knees, looking up at him then towards his belt.

“Your pants are next,” You say, in reference to your previous conversation. Joost chuckles, mumbling some curse under his breath, he’s flustered and it’s because of you. He unbuckles his belt impatiently, shifting slightly to pull his pants down as you do the rest for him, tugging on the rough material of his pants to fully take them off.

His legs are also littered with tattoos, similarly to his arms and your fingers instinctively trail up his thigh until they reach his underwear. You can see the outline of his hardened cock as you gently press your palm on top of it, earning a stifled groan from him.

“These can stay on,” You decide to tease him, Joost laughs at that.

“Fuck off,” He says, earning a smile from you.

Gladly, you think to yourself as your fingers play with the elastic waistband of his boxers.

Your eyes shift to his face briefly, quietly asking for his consent to which he nods at. With a final pull, his cock springs free from his boxers, reminding you of its big size. The tip is leaky with precum as you lick it, making Joost hiss at the sensation.

You take him in your mouth eagerly until the tip reaches the back of your throat, causing you to wince ever so slightly.

“Easy there,” Joost coos, pushing your hair out of the way for you and keeps it in a gentle grip as you skillfully begin to suck his cock. The way your mouth stretches around him coaxes a mixture of groans and curses to fall from his lips, his hold on your hair tightening. He looks down at you, still in your fancy little dress and on your knees for him, the sight turning him on all the more.

The fact that you’ve gotten so good at this makes him think of all the men you’ve probably been with after him and he can’t help but feel a little jealous at that.

“Like that,” His voice is breathy as he mumbles different kinds of praises to you, sending a rush of heat through your core. He starts guiding your head with gentle force, careful not to hurt you, slowly pushing his cock until it nudges the back of your throat . Your face feels hot and despite Joost’s gentleness, there are tears in the corners of your eyes, most definitely smudging your mascara and the dark eyeshadow on your eyelid.

Joost is close but he doesn’t want to come just yet, opting to come inside of you later. He pulls your head back slightly, drawing his cock out of your mouth with one last breathy moan.

You’re breathing heavily as you lock eyes with him, your lips swollen and eyes glossy with tears. He caresses your cheek with his big tattooed fingers, a soft smile lingering on his lips.

“You wanna get undressed too, baby?” He says in a low tone.

“Sure,” You mumble softly, getting up from your knees that are red from how long you’ve been sitting on the floor.

You take off your black boots that end just below your knees, uncovering the rest of your black patterned tights. Your fingers impatiently reach for the zipper to the back, fumbling with it until you finally loosen the silk dress you’re wearing, letting it fall to the floor as you stay in nothing but your black lingerie adorned with tiny bows here and there. Joost’s eyes linger on your body and he swears this is the sexiest thing he’s ever seen, noticing how beautifully your body has grown over the years and how confidently you stand in front him now, more like a woman and less like a girl.

You can sense his infatuation with you with the way he’s looking up at you and it only fuels your ego, a sudden cockiness coming through you.

“Are you just gonna stare?” You taunt him, Joost smiles at that.

“As if you don’t enjoy it,” He says, you assume he’s right.

He reaches his hands out to your hips, pushing you closer in between his legs as you place your arms loosely around his neck. He massages the area of your ass, though the material of your tights is in the way, preventing him from fully feeling your skin against his palms.

“Let’s take these off, shall we?” You smile in agreement and give him a small nod as he begins to lower your tights inch by inch, exposing the soft skin of your legs. Once they’re off, he presses wet open-mouthed kisses on your thighs, making your pussy clench around nothing but solely the idea of his mouth in between your folds, tasting you with his tongue as it swirls around inside of you.

The momentary fantasy draws loud sighs from your lips, correspondingly to the kisses Joost places on your skin. He notices, unable to hide the cocky smile on his lips as he starts moving higher, towards your stomach.

“Your bra,” he mutters, continuing his work on your body, “Take it off,”

You do as he says, trembling fingers rushing to unhook your bra, all the while Joost keeps on kissing your stomach that is rising up and down from your intense breaths. You pull your bra off, tossing it to the floor where the rest of your clothes are as Joost stares at your breasts, your nipples hardened as a result of his previous touch on your skin.

“You’re beautiful,” His small compliment sends a warmth to your face, a sweet smile forming on your lips and you can’t help but caress the sides of his face with your thumb.

You place one knee on the surface of the couch as you come face to face with Joost, giving him better access to the upper half of your body. Now that you’re this close to him, you notice the small stain that your red lipstick left on his lips earlier, letting out a small laugh at that.

He smiles, kissing you deeply on the mouth, jaw, collarbones, then finally your breasts. The tingling of his tongue on your nipples makes you moan quietly as he takes one of your tits in his mouth, sucking on the sensitive skin.

The inside of your thighs is practically burning with anticipation now as more moans fall from your lips. “Joost please,” You breathe out in desperation as he hums against your boobs, “I can’t wait any longer,”

“I get it baby,” Joost withdraws from your chest, places a peck near your lips then nods to his side, “Come on, lie down,”

You lie down on your bare back, resting your head against one of the pillows to get a better view of your body. Joost turns to you, his hands slowly sliding up your stomach as he gazes down at your naked body, the only thing covering it being your panties.

“Alright, you ready?” He asks, his voice soft.

“You make it sound as if I’m being drafted into the military,” You say, causing him to giggle.

“Just asking,” He slightly puts his hands up in the air, “It’s been a while,” He says ever so softly as you both share a smile, silently expressing how much you want this. To anyone else, it would just look like a casual hook up but to you it’s so much more than that, layered with feelings and memories.

“Okay, you have my consent,” You say slowly, your voice close to a whisper. He nods satisfied, planting one last quick kiss on your lips before his fingers find the waistband of your black lace panties. His cock is hard, falling on your inner thigh, an image that only adds to the heat you’re experiencing.

You lift your ass, only a little so that Joost can slip your panties off of your legs, not bothering to tease you much about it. The air of the room feels cold against your wet pussy, causing it to twitch as Joost mumbles some curse in Dutch.

“So wet for me,” He coos as he collects the wetness from your folds with a quick stroke of his tip, making you gasp, your thighs closing at the sudden friction. He props one hand close to your face for balance and lines his cock with your entrance before starting to push into you slowly. The sensation of your walls clenching around him inevitably lets a shared moan fall from your lips as Joost bottoms out, then begins to thrust into you in a controlled manner that makes your head dizzy with pleasure.

“You’re so tight schatje,” The pet name is familiar, yet you still fight back a smile at the sound of it.

You stare up at him in adoration; his bare chest is glistening in sweat, his blonde hair is messy and his lips are slightly parted as soft grunts escape them. He was and is still the most beautiful man to you, despite all the insecurities that linger on his mind.

You notice he’s kind of tired because he’s struggling to stay propped up on his arms above you and you wrap your arms around his back, pulling him down to your chest. His body is heavier against yours but you don’t care, you embrace him while he continues his deep thrusts to your core that gradually become faster.

The way he fucks you is so perfect that it drives you wild. He knows your body so well, knows all the right places to touch as his tip keeps on hitting that one spot inside of you, pushing you closer to your climax.

Joost is close too, burying his head on the crook of your neck as you feel his hot breaths and the vibrations of his groans on your skin.

Your fingers dig into the sticky flesh of his shoulders, your breaths are shallow and you can’t suppress your loud moans given the frantic pace at which Joost is now slamming his shaft into you.

You try to tell him but it seems like the only words you can utter right now are continuous curses in between your uncontrollable whimpers.

“I’m- fuck,” Joost breathes, “I’m coming baby, I promise,”

Before you can respond in any way, you’re driven over the edge. Your vision becomes blurry, the only things you can hear are your embarrassingly loud moans and Joost’s own groans as you come on his cock.

Joost follows shortly after your orgasm, his warm release spilling inside of you while he sloppily fucks every part of you.

“Fuck,” He exhales and collapses on top of you. Your fingers graze his back, trying to soothe the red marks that your fingernails left on him earlier. Joost places his arm around your waist as you both let your deep breaths fill the silence of the room.

You stay like this for a minute or so, then he carefully pulls out of you as you hiss slightly at the feeling.

-

You’re the last one to take a shower and as you come back to your bedroom, you see Joost lying comfortably between the pillows and your stuffed animals, an image you wish you could see everyday. You climb atop the bed, also lying down as you cuddle him without hesitation and he’s quick to wrap an arm around you as well.

“When are you leaving New York?” You ask, hoping for the answer to be never, despite how unrealistic that sounds.

“In two days,” You nod against his chest but really, you want to break out into tears at the simple thought of losing him again and so soon.

You feel him take a deep breath, “Joost?” You say, your voice barely above a whisper.

“Hm?”

“Can we spend the day together, tomorrow?”

He smiles even though you can’t see him, a bittersweet smile at that. He feels the same way as you, dreading the moment he’ll have to leave you, wanting to make up for the lost time. “Of course, liefste. Where do you wanna go?”

“I don’t know,” You mumble, “Oh! Maybe I’ll take you to my favorite restaurant, it’s not too far from here,”

“Okay, that sounds perfect,” His hands caress your hair and he leans down to place a reassuring peck on the top of your head.

You wish this moment would never end. If you could, you’d move with him back to the Netherlands tomorrow and start over, do everything right this time. But for now, all you can do is hold him tighter, make every moment count until he leaves. And then who knows? Maybe one day, you’ll be together again.

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thank you for reading !! <3

[letsatomicbanana]

Ink!Sans Cultural Inspiration

(revised version)

art by @/sakuramochi64 on twitter

Disclaimer!

This post aims to explore and analyze both the prominent and subtle East Asian cultural influences—primarily Japanese—that have shaped the character of Ink!Sans. By examining these influences, we can better understand how traditional East Asian aesthetics and artistic practices are woven into Ink’s design and powers. If any information in this essay is inaccurate or unintentionally offensive, please don’t hesitate to reach out! This essay serves as a revised and updated version of the analysis conducted last year, incorporating new insights and refined perspectives to enhance our understanding of Ink!Sans’s character and his cultural influences.

Ink!Sans by @comyet/@myebi

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''It was a night where it felt like i was a miserable artist and i was very frustrated at my work and it felt like i wasn’t worth alot (we all have these), then I came across a picture of a japanese ink brush, and it was all I needed to start doodling a concept.

That’s how Ink is born.''

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According to Ink’s creator, Comyet, the idea for Ink!Sans was sparked by an image of a brush specifically crafted for sumi and Chinese ink art. In China, the tradition of using specialized ink brushes, known as Chinese writing brushes, has been a foundational element in the art of calligraphy and traditional painting for centuries. These brushes are highly valued for their precision and versatility, allowing artists to produce a range of strokes, from fine lines to bold, expressive swashes. The brush itself is composed of a bamboo handle and a carefully tapered head made from animal hair, designed to hold and release ink in controlled flows.

This tool became central not only in Chinese culture but also influenced Japanese, Korean, and Vietnamese art, where calligraphy holds a similar cultural significance and is closely tied to writing systems derived from Chinese characters. These brushes symbolize the control, fluidity, and intentionality required in both written language and visual art across East Asia. This deep-rooted cultural importance of the ink brush inspired Ink!Sans's character design and powers, allowing him to wield 'ink-based' abilities, symbolizing both creativity and adaptability. His main weapon—a brush—reflects this heritage and further emphasizes the connection between art and battle, as he channels the brush’s traditional associations with fluidity and strength into his fighting style, merging the arts of calligraphy and combat.

(visual example of an ink calligraphy brush)

At glance, the ink material is an enduring medium that still surrounds society till this day and it's used in multiple cultures across the world.

Writing with ink calligraphy brushes is also common in Europe and the Middle East, where artisans developed ink using a unique combination of iron salts and oak galls. This type of ink, known as iron gall ink, initially appeared in rich, dark tones, making it highly desirable for manuscripts and official documents due to its bold, readable quality. However, over time, the iron in the ink oxidized, resulting in a distinct color shift to warm, rust-like brown tones. This characteristic fading can still be observed today in ancient manuscripts, such as early European literary works, where the reddish-brown hues give a sense of history to these documents. The durability and aesthetic appeal of iron gall ink contributed significantly to its prevalence in both regions, influencing the artistry of calligraphy and manuscript illumination for centuries.

Like previously mentioned, Ink!Sans was inspired by traditional ink materials developed in East Asia, where artisans mastered the creation of carbon-based black ink, often using soot or charcoal mixed with binding agents like animal glue. This type of ink, known for its rich, deep color and lasting durability, was a staple in East Asian calligraphy and artwork. Unlike iron gall ink, this carbon-based ink maintained its dark, almost jet-black color for centuries, even in varying environmental conditions. The resilience of this ink allowed ancient texts, paintings, and scrolls to retain their striking contrast and clarity, making it a celebrated medium in East Asian art and culture. Ink!Sans draws inspiration from this enduring quality, symbolizing strength, creativity, and the timelessness of artistic expression

(visual example of an ancient art piece that used carbon-based black ink)

To note, unlike iron gall ink, carbon based inks are still very common to this day.

Although the primary Chinese calligraphic scripts were well established by the fourth century, calligraphy as an art form has continually evolved over the centuries, adapting to new cultural and aesthetic influences. Skilled calligraphers, who spent years mastering brush techniques and perfecting their own unique hand, were celebrated for their distinctive styles, and their works became templates for both art and personal expression. Over time, subsequent generations of artists studied these revered styles, incorporating and reinterpreting them to reflect their individual voices and the changing social landscapes. This ongoing transformation has kept Chinese calligraphy dynamic and relevant, and it remains a respected art form today, blending tradition with contemporary aesthetics.

In Japan, calligraphy also held deep cultural significance, symbolizing both personal refinement and intellectual achievement. Calligraphy was regarded as a mark of scholarly sophistication and artistic taste, with a variety of tools developed to enhance the writing experience. One notable example is the suzuribako ("ink stone box"), a portable lacquered wood box designed to store an inkstone, water dropper, brushes, and solid ink sticks. These boxes were crafted with precision and adorned with intricate lacquer designs, reflecting their owner’s status and appreciation for art. Suzuribako were lightweight and convenient, enabling calligraphers to take their tools outdoors or to scenic locations to write letters, diary entries, or poetry. This practice not only facilitated creativity but also connected the act of writing with nature, creating an immersive experience where one could find inspiration in the surrounding beauty while crafting words in elegant brushstrokes. The combination of these refined tools and settings underscored calligraphy’s role as a deeply personal and aesthetic pursuit in Japanese culture.

From this perspective, it is essential to highlight that Ink's character draws inspiration from traditional ink calligraphy, a detail reflected in his distinctive speech font, 'Note This'.

(Example of Ink's canon speaking font and ancient calligraphy)

Also clarified in an ask on her side blog, Comyet explained that traditional samurai clothing served as a key inspiration for Ink's outfit redesign in 2020. Ink's creator thoughtfully incorporated these characteristics to enhance Ink’s visual appeal and connection to his main source of inspiraton. This influence is particularly noticeable in the first and second analyses of Ink's character, where we see clear visual cues from iconic Japanese garments like the hakama.

(Ink!sans reference sheet for the 2020 design, credit goes to @/comyet)

Ink's pants were inspired by hakama, a traditional Japanese garment known for its distinctive design as skirt-like trousers, typically worn over a kimono. Hakama are historically associated with a range of activities, from ceremonial occasions to martial arts, and are often considered a symbol of status and refinement. Specifically, Ink's pants appear to be inspired by the umanori style of hakama, which is characterized by a split or division in the middle, allowing for greater freedom of movement. This style was traditionally worn by samurai and other individuals involved in horseback riding, as the design allowed for ease of movement and flexibility when mounting or riding a horse.

The umanori hakama were not only practical for riding but also served as a functional yet elegant garment, embodying the balance of form and function typical in Japanese clothing. By incorporating this style into Ink's character design, Comyet likely intended to evoke themes of mobility, agility, and strength, while subtly referencing Japanese martial traditions and the samurai ethos. This choice enhances Ink's overall aesthetic, highlighting his dynamic, action-oriented nature, suggesting that his character is both rooted in tradition and capable of fluid, graceful movement.

The hakama was not merely a functional garment but also a powerful symbol of social status, loyalty, and the samurai's role in Edo society. While the hakama was predominantly worn by samurai, it also found its place in the wardrobe of scholars, priests, and members of the aristocracy, who wore it as part of their ceremonial dress.

Furthermore, Comyet has explained that Ink's outfit and appearance were partially inspired by the clothing worn by samurai, as depicted in ukiyo-e prints from the Edo Period of Japan. Ukiyo-e, which translates to 'pictures of the floating world,' was a popular genre of woodblock prints and paintings that flourished from the 17th to the 19th centuries, showcasing scenes of everyday life, landscapes, kabuki actors, and beautiful women. However, samurai were also common subjects of these prints, often portrayed in full regalia, highlighting their status and discipline.

(this line of text was found within old versions of Ink's FAQ post, mainly from 2020-2021)

In these ukiyo-e representations, samurai are frequently depicted wearing a distinctive combination of garments, including elaborate kamishimo (formal attire worn by samurai), hakama (wide trousers), and haori (a kimono-style jacket worn over the kimono), along with ornate accessories such as sashes and swords. These samurai were often shown in dynamic poses, suggesting a sense of power, grace, and readiness for battle, which reflected their societal role as both warriors and landowners.

Ukiyo-e representations of samurai often carried deeper meanings beyond their visual impact. Samurai in these prints were more than just warriors; they were cultural icons, symbols of virtue, duty, and sacrifice. Some prints portrayed samurai in the context of popular stories or historical events, such as famous battles or legendary acts of heroism. For example, the prints often depicted samurai as loyal retainers or leaders fighting for justice, reflecting the ideal of bushidō, the samurai code of ethics, which emphasized virtues like loyalty, courage, and respect.

(Ukiyo-e art made by Katsukama Shun'ei, Edo Period)

During the Edo period, the hakama was an important garment worn by the nobility as part of their formal attire, complementing other traditional outfits of the time, such as the noshi and kariginu, a sleeveless jacket with distinctive, sharply defined shoulders. These garments were designed to symbolize the status and refined taste of their wearers. The hakama, with its wide, flowing silhouette, was highly functional and practical, allowing for ease of movement while maintaining an air of elegance.

On another note, Ink's design is not the only aspect influenced by Japanese culture; the musical themes associated with him also draw significant inspiration from traditional Japanese music, as described by Comyet. The incorporation of these musical elements into Ink's character enhances the depth and cultural resonance of his persona, creating a multi-layered experience that ties his abilities, appearance, and thematic representation to a broader cultural context.

A predominant theme associated with Ink that highlights his deep inspiration from traditional Asian styles is one called 'BrushWork.' This musical theme, featured in the popular series Underverse, plays a crucial role in reflecting Ink’s connection to East Asian culture, particularly through its use of the shamisen, a traditional Japanese stringed instrument, and a flute. The choice of the shamisen in this composition is significant, as it evokes the soundscape of Japan, with its distinct, plucked tones often associated with traditional music, storytelling, and performance arts.

The shamisen is a core instrument in genres such as kabuki (a traditional form of Japanese drama) and bunraku (puppet theater), where it is used to underscore the emotional intensity and narrative depth of the performances. In BrushWork, the shamisen helps set the tone for Ink’s character, enhancing the theme of 'brushwork' through its fluid, emotive sound.

Honorable mention: The instrumental video for ''Soulless Heart'', features an artwork that is inspired by traditional sumi-e (ink wash painting), a Japanese art form renowned for its elegant brushwork and minimalistic yet profound depictions of nature. This particular artwork, which accompanies the music, was created by the talented artist @/sakuramochi64, whose style reflects the delicate balance and graceful simplicity typical of sumi-e paintings.

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Sources

1.National Museum of asian art (materials & techniques. Ink section)

2. Asian Brushpaper (an-overview-of-chinese-ink-history)

3. Wikipedia (wiki Hakama-pants+Shamisen)

4. Aikido Journal (Hakama-101)

[possiblyunhinged]

In the past year, especially with the recent elections across Europe and in the US, it’s become blazingly clear that regardless of your political leanings, everyone is fucking fed up to the nines. You can see it in our attitudes towards traditional media and government. Sure, we land on different conclusions about what might get us out of this mess, but the reality is—it’s not in our hands. It probably never has been.

The Luigi Mangione situation has truly blown my head off my shoulders—the sheer arrogance and disconnect from normal people that traditional media and government officials have shown. Take the Mayor of New York, for instance. Sweet Jesus. He’s like a character from a shit pantomime. Whether you’re on the left or the right, he’s the villain of the piece. People are done. And let’s be real, it’s only going to get worse—because I’m a positive princess like that.

Trump isn’t going to magically make prices drop; he’s literally said as much. I can’t fathom a single politician who could genuinely make a difference when the CEOs already hold all the power. Musk and his ilk were invited to the table long ago, and let’s not forget the donors—pouring huge amounts of money into all political parties. It’s a silent agreement: their influence comes first, their profits are prioritised, and the rest of us are left to scrape by.

What gets me is how people still talk about “the rich” like it’s actors and musicians pulling the strings. Sure, they’re rolling in it, and the entertainment industry has plenty of rot, but compared to the wealth of CEOs? Negligible. The real bastards are the ones we couldn’t even name. The ones cutting corners, exploiting workers, and choking the planet with plastic while pocketing the profits.

Meanwhile, the entertainment industry puts on this Truman Show pantomime—a performance of accountability so we can cheer and boo. Every public takedown, every cancellation, every PR scandal—it’s all theatre designed to make us believe the system works. And while we’re caught up in the spectacle, what the fuck are the people at the top of the means of production doing? Bumping up their profit margins and giving themselves bonuses.

These people live without consequences. And when the internet (rightly or wrongfully) memed the murder of a CEO, they responded with Gotham-level theatrics to reassure their donors that they’ll always protect their own. They even tried to pin terrorism charges on a man whose frustrations most normal people can empathise with.

Why is it that those in power are never arsed about creating a spectacle of a CEO in handcuffs, dragged out for decades of exploitation? Because the system doesn’t just protect them—it is them.

At this point, the only thing these people are achieving is making everyone angrier. And the politicians we like? They’re the ones who seem to reflect the nonstop screaming going on in our heads. The incompetence, the lack of solutions, the sheer disregard for normal lives—it’s all making tensions worse. And it’s going to blow up in their faces. (Not literally—calm down, loves.)

I know I sound like David Icke, okay? But sincerely, I’m fed up and I would love nothing more than a shred of accountability for billionaires—and for politicians and journalists alike to do their fucking jobs.

It’s embarrassing.

[gatorbites-imagines]

Hey! I hope you’re doing good in ur exams!!

Can I request a Tomura x Male reader?

Before the whole war…please, I’m grieving a lot for way too many reasons. ☹️

Tomura Shigaraki x male reader

Headcanons

Big sucker for gamer Shigaraki, why did people stop writing it. So im basing this off earlier season Shiggy, but you can imagine him how you want.

Reader has a quirk vaguely based off Yaga from JJK, cuz I love JJK, and I love Yaga.

Dating Shigaraki was an… experience to say the least. He could be quite bratty or childish at times, but you couldn’t really blame him, especially after hearing about his relationship with that sensei of his.

You weren’t a villain. But you just… didn’t respect the system and thought the hero system was corrupt beyond redemption. You didn’t think Shigaraki’s Sensei had the right idea either. But you had been ignored more than once by the so-called heroes meant to save you.

You had what most would call a “villain” quirk, having the ability to make something akin to dolls or golems, some even being so complex they could think and feel on their own. You had even created more than one that didn’t know it was a doll.

Being raised by golems was an experience, as your parents had been so offput by your quirk and interest in how everything and everyone worked. They’d fed you and clothed you, but that was it. and when your younger siblings developed more “appropriate” quirks, the gap became massive.

It had led to you leaving home as a teen, having finished and graduated online school earlier than most.

You had left a small unnoticeable golem in your home, just to see how long it took your family to realize you were gone. The answer was three months, and it was only because your rich grandpa who had a string quirk, who had always supported your love for puppets, came back from abroad to visit.

The gratification of hearing and seeing your loving but serious grandpa rip your family apart verbally, and then take away all the monetary support he had been given them, was almost enough to cover up the pain of your empty stomach and warm you where you were huddled in an alley.

Meeting Shigaraki had been an accident in the beginning. Your golems had only gotten more and more complex, meaning you suddenly had an income that was more than enough to get your own place, with one of the golems as the “owner” of course.

After that you started selling information and different kinds of “defense” work. That meaning, you helped people hide from the hero commission, and get information other people couldn’t. what was better for that situation other than an army of people that just didn’t exist.

You were picked up by Giran, who had taken notice of your large net of people, whom he didn’t know were your puppets and golems. He, or rather All for one, paid much more than you really needed. But all these years had taught you more than most knew about the inner workings of hero society, so you didn’t turn it away.

You did have a slight feeling that All for one wanted to eat you after he learned about your quirk. But the whole having to build the skill and mental capacity seemed to stop him, for now, since he apparently didn’t have time to perfect it in time for what he had planned.

You were the first outsider in the league of villains, way before anybody else joined, which was how you and Shigaraki started spending time together.

In the beginning hed been his dry snappy bratty self, and he just reminded you of the dirty street cats that you used to feed when you still lived in alleyways. They’d hiss and spit, trying to puff up and look tough, but they always just looked so frail and vulnerable.

Neither of you could tell when your relationship became more than just coworkers. Maybe it was when Shigaraki had Kurogiri warp him to your penthouse since your tv “was bigger and better” than the one he had in his room.

Or when you started bringing him designer clothes that would fit him better than the rags he wore, or had your golems break into different shops to get him some ointment that would help with his scratching.

You even caught yourself once or twice trying to play his games, but you figured out your usual strategic and put together mind lost all its footing playing LOL. Never before had your age quit, and you were too shamed to try again after that.

Shigaraki would admit later that he had tried to get into your hobbies too, with a big blush on his face and a sour expression, like he didn’t want to admit that he had feelings. He couldn’t really get into the art that was doll and golem making, and just how detailed it got for you had his head spinning.

Neither of you ever outright asked the other to date, it just kinda progressed to that point. Shigaraki spent more time at your place than at the “villain hideout”, even after the rest of the league joined.

You started going on dates, which were you booking an entire arcade or restaurant, and having your golems serve you. Or letting Shigaraki lean against you playing his handheld as you planned stocks or different businesses you had your fingers in.

In front of others, you two just seemed like allies, maybe friends on a good day. And it only came out after Magne and Toga had been teasing Shigaraki about having no experience, where he snapped at them that he had a boyfriend, you.

The rest of the league were shocked to say the least, since you two didn’t act anything like a couple around them. But both you and Shigaraki just raise a brow going “why would we be all lovey at work”.

It didn’t surprise you that Shigaraki was touch starved and loved to cuddle. In the beginning he would almost act like it pained him to be touched and cradled. but so many years with no normal human contact always had that effect.

You weren’t used to it yourself, having gone so long with only the touch and comfort of your dolls and golems, but none of it was the same as when it was another person.

The two of you were pretty much dating in your shared opinion, before you ever really got physical. And by that, I mean, you started out by just sitting close or you wrapping your arms around Shigaraki.

Your lover was understandably scared of touching you with his hands, even when he wore gloves to stop his quirk from working. So, it was a major breakthrough when he did return the hugs, or would hold your hand.

But when the floodgates for affection opened, Shigaraki would always find himself clinging to you like a cat searching for warmth. It was pretty damn cute in your eyes, and whenever he would shuffle into the room, you just life an arm and let him melt into your side.

Most days you could keep working, answering the phone, checking your laptop, and what else. But there were also days where Shigaraki would grumble about dusting your stuff if you didn’t cuddle him right.

Part of you had a feeling it was Shigaraki wanting you to take a break, and the other part was sure it was just cuz he liked to be squeezed tight and snuggled. But who were you to complain.

[youremyheaven]

The Strictness of Saturn: Giga Chads, Scammers & Spiritual Gurus

Lately, I have been contemplating the energies of Saturn and how it manifests in men and it brought me to the realization that Saturnian men are the type of men that other men idolize and look up to. There are always certain male celebrities that other men fawn over but women dgaf about and they usually tend to be Saturnian as well. Why do men worship Saturnian men? For starters, the world we live is a deeply Saturnian one, with law and order, systems and regulations and structure. The general narrative is that in order to be successful in life, you have to "hustle and grind" and work hard and that you'll be rewarded for it. This is essentially the theme of Saturn. Saturn is also a masculine planet and a malefic. We live in a capitalist society where the working culture is designed with men in mind. Be it the 9 to 5 or the culture of conquest and domination (in business, politics, colonization etc) are all aggressively yang. You do all of it to make more profit to buy/accumulate more stuff, this is a deeply patriarchal worldview because yang energy is one that is fixated on "accumulation". Therefore to thrive in this world, its important to have a strong Saturn and the kind of people who thrive in this set up, aka men, look up to and admire other men who exemplify such Saturnian qualities.

I'm going to start with the most notorious example of this Saturn worship by men

Andrew Tate, Anuradha Sun & Moon

Tate's brand of hyper-toxic masculinity and his "hustler university" is so wildly misogynistic it's insane. Yet it appeals to many men.

In one video, Tate describes how he would deal with a woman who accused him of cheating: “It’s bang out the machete, boom in her face and grip her by the neck. Shut up bitch.” He’s argued that women are a man’s property, shouldn’t drive, and shouldn’t leave the home if they’re in a relationship. He claims only to date 18 and 19 year olds as it’s easier to “imprint” on them, and in a now deleted YouTube video, Tate claimed that “about 40 per cent” of the reason he moved to Romania is that he believed police in Eastern Europe would be less likely to pursue rape allegations.

Tate seems to represent the lifestyle that most men dream of (wealthy) and he presents himself as ultra masculine/alpha like which is every man's dream but the thing is extreme behaviour of any sort comes across like that person is overcompensating for something.

Machoism and machismo are what men use to signal to other men that they're not to be messed with. Its a very primitive display of behaviour that probably goes back to the cave men era where men had to rely on physical strength and brute force to survive. But no man who is actually secure in himself will feel the need to aggressively display his "masculinity" by spewing absolutely vile hateful nonsense against women or other people. Toxic masculinity is rooted in narcissism and self centeredness; these men want to be the best among men (more rich, more powerful, get more girls etc). Its a gross by product of male insecurity because truth be told men grossly overestimate the standards women have for their romantic partners.

they seem to have a scarcity mindset about how no women would want to be with a deadbeat ugly loser (i mean, duh) but believing that every single woman would only date 6’4” dudes with 12 abs and rolexes isn't true either. majority of heterosexual relationships feature a gorgeous girl with a guy who looks like a gnome. many women date absolutely hideous men who are broke just because they have sweet personalities and are nice to be around.

but male insecurity leads to incel behaviour because they believe that the reason women dont go for them is because they're ugly or broke when usually the reason women dont go for them is because theyre an asshole. by blaming women for not sleeping with them or dating them, they get to conveniently shift attention from the fact that they have absolutely nothing to offer and also, women dont owe charity sex to lame, rude, broke, ugly men?

men underestimate just how much personality matters. and by pretending that being the "alpha" will get them women, they're feeding their own masculine egos because women literally just want a guy who is sweet, texts them back regularly, listens to them and isn't a complete asshole. you never hear a woman talk about being into "alphas". its literally just a male fantasy that is completely severed from what real people are like or what real people want. its like how men believe the "Cool Girl" exists, they write female characters to be quirky, nerdy but above all hot and constantly feeding their male ego, they also write male characters to be macho, alpha, dominating other men and women because they want to be like these men.

anyways lol went off on a tangent (me with every post)

Saturn is considered a malefic not because of how it represents "karma" or "discipline" its because Saturn overdoes the strictness, commitment and discipline and "hard work" associated with it. You may work hard but you can't always tell if you're working hard enough or why your hard work isn't translating to results/rewards. That is the energy of Saturn. You overdo things and go beyond the extra mile. This may sound like a good thing because we live in a world that values these traits but it can manifest in many unpleasant ways bc pushing yourself that hard means risking burnout out and it's actually unhealthy to swing into such extremes? You can live a good life without living like a monk or a soldier which is what a lot of hustle/self-improvement coaches advocate for. This is a negative manifestation of Saturn; believing that deprivation, scarcity and harshness are the only way to get things done or that "tough love" is the answer.

Hunter Moore has a Saturn stellium (Mercury & Venus in UBP and Saturn in Anuradha)

He was a predecessor to Andrew Tate who posted intimate photos (some acquired through hacking, and many nonconsensually submitted) of women with their Facebook details on IsAnyoneUp.com (he's a convicted criminal)

He's an early example of a toxic masculine internet influencer who spewed misogyny and was worshiped by many dudebros.

Solar men may be Chads who just want to hang out with other men but they are NOT like these Saturnians. If we're going to think of Sun as the most masculine or "yang" planet, it also means they're masculine to the point of being almost feminine, if that makes sense? The qualities of preferring other male company, valuing male friendships and wishing to keep women at an arm's length (under the guise of "independence" or "non-attachment") are similar to behaviours shown by women described as a "girls girl". Solar people of either gender have a very welcoming, positive energy but they're often virtually sexless. (there are exceptions to everything ofc) but these are not people known for being highly sexually desirable. They're likable and have qualities/traits that make them "wanted" but Solar energy is too self-centered to be sexually appealing. Sun is the centre of our solar system, it's used to being the source of light and does not have the same need to achieve things the way Saturnians do for whom accomplishment has its origins in insecurity and the desire to overcompensate for what they lack. Solar ambition is rooted in their belief that they're the best and deserve to be at the top of the world and refusal to settle for anything less. Those are two very different approaches.

Tom Hardy, Uttaraphalguni Sun, Chitra Moon once said:

“A lot of people say I seem masculine, but I don’t feel it,” Hardy confessed. “I feel intrinsically feminine. I’d love to be one of the boys but I always felt a bit on the outside. Maybe my masculine qualities come from overcompensating because I’m not one of the boys.”

Tbh this could be a generalization but I feel like I have seldom seen Solar men present themselves as mega alpha hypermasculine figures. They are often perceived that way but they're not personally like that. They're more boyish, more youthful than aggressively "manly". They actually represent a more indulgent "frat boy" type of masculinity than the alpha male ideal presented by many Saturn men.

I'll cite some examples of famous men who are popular among men and not so much among women

Jason Momoa- Pushya Stellium (Sun, Mercury & Venus)

Men love to talk about him like he's a God or something because he represents the kind of masculinity that other men want to embody. 6'5 bulky beefcake build and has this uber-masculine personality.

Like all Saturnian men, he's also known for making crass, tasteless remarks like the time he said at ComicCon:

“But as far as sci-fi and fantasy, I love that genre because there are so many things you can do, like rip someone’s tongue out of their throat and get away with it and rape beautiful women"

In 2011 during an interview he said:

"Yeah, I’m raping Emilia [Clarke]” he said. “I love her, but I’m hurting her and she’s crying. We could have made it longer, but you get the idea. I’m not a rapist. I prefer my women to enjoy sex.”

All of these statements reek of the smug asshole Saturn alpha-chad vibes like he really thought he did something by saying it. You just know that he was saying it for other men to laugh to🤢🤮🤮

Saturnian men lack social grace and manners and are literal troglodytes

Sam Levinson- Pushya Moon

everything he has ever made is SO male gaze-y, be it Euphoria or The Idol. he literally makes torture porn and all his female characters are treated like shit with absolute shitheads written as the male protagonist

The Idol portrays an absolutely vile toxic relationship where the woman is literally treated like scum. He sidelined his female collaborator on The Idol and reworked the show to suit his shitty male gaze. The show Euphoria was also stolen from photographer Petra Collins' aesthetic. Here's what she said:

he's also just known for being an asshole in general. several female cast members on euphoria asked Sam if they could cut down on the nudity (first of all, i think making a highschool drama, casting grown adults and getting away with depicting gratuitous sex scenes is fucked up on its own)

Sydney Sweeney had said:

“There are moments where Cassie was supposed to be shirtless and I would tell Sam, ‘I don't really think that's necessary here,’” she told the Independent. “He was like, ‘OK, we don't need it.’”

Jason Statham- Pushya Sun, UBP Moon

Jason is another example of a man who is idolized by men. He's known for playing menacing tough guys in action movies who are sometimes complete psychopaths and has the brooding toxic violent masculinity that men get off to.

Tom Brady, UBP Moon

He is another male celebrity whom men fawn over.

Chris Evans, Anuradha Rising

Chris is arguably more popular among men than he is among women. He's too plain and boring to appeal to the female gaze truth be told.

DJ Khaled, Anuradha Sun conjunct Mercury (and Saturn in Pushya)

DJ Khaled is in general known for being an obnoxious, egotistical, pompous asshole further confirming the rumours about how self-obsessed, vain, downright delusional and mannerless Saturnian men are.

In 2014, DJ Khaled revealed in an interview that he never performs oral sex on women. The full quote goes like this:

"It's certain things I just don't do. I believe a woman should praise the man, the King." "If you holding it down for your woman, I feel like the woman should praise and the man should praise the Queen," he continued. "But, you know, my way of praising is called, 'How was dinner? You like the house you living in? You like all them clothes you getting? I'm taking care of your family, I'm taking care of my family"

When host Angela Yee asked Khaled if he "goes down" on his longtime girlfriend, he replied, "Nah, never. Nah, I can't do that. Hell nah...I can't do that. I don't do that."

Yee asked Khaled if he would be okay with his girlfriend not giving him oral sex, to which he said, "Nah, it's not okay. You gotta understand I'm the Don, I'm the King."

She told Khaled she doesn't think the double standard is fair. Khaled said, "It's different rules for men. You gotta understand, we the King. There are some things that you guys might not wanna do or wanna do. It gotta get done. I just can't do what you want me to do. I just can't," he added.

This literally sums up how Saturnian men see themselves versus how they see women.

Logan Paul, UBP Sun & Mercury

In 2017 Paul was accused of sexist behaviour with the release of his song "No Handlebars." The track, which samples 2008's "Handlebars" by Flobots, changes the original song's lyrics from "I can ride my bike with no handlebars," to "I can ride your girl with no handlebars." The video shows Paul mounting three women who have positioned themselves to act as a bicycle. This wasn't the first time Paul was accused of sexist behavior, famously releasing a now-deleted Vine with controversial Vine star Sam Pepper in which the pair lassoed women as a way of courting them.

In 2018, in one of the first videos back from his infamous post-Suicide Forest hiatus, Paul can be seen lifting a live koi fish out of water and moving it like a toy boat, as well as tasing dead rats. 

In January 2023, fans were outraged when Paul's former pet pig, Pearl, was found abandoned and injured in a field by the nonprofit The Gentle Barn. In the past, he had put his Pomeranian in seemingly stressful situations for YouTube videos, like introducing him to an actual tiger and putting him in a bucket to zipline him off the roof.

In fact, animal abuse/cruelty seems to be a recurring theme with many Saturnians, both men and women. I think so many Saturnians are notorious for abusing animals because their desire for domination and control manifests most through people who cannot fight back. Obviously being abusive to women and expressing desire to subjugate them is another extension of this Saturnian tendency but it is very telling how a Saturnian can and will dominate, control and abuse absolutely every living being they come across.

many years ago, Kim Kardashian, UBP Moon went viral for holding a cat like a toy and many people said it was abusive behaviour

Kristi Noem, Anuradha Sun, Ketu in Pushya

She recently came under fire for revealing in her memoir how she shot and killed her dog who was difficult to train along with her goat who she hated? Idk how callous you have to be to describe in detail (her exact words and excerpts from the book are available online, I dont feel like repeating it here) how you murdered your pets?? idk how insane you have to be to even publicly admit something like that??

Paris Hilton- Pushya Moon conjunct Rahu

Paris is notorious for how she prefers teacup sized dogs and for anybody who does not know, when animals are specially bred to be an unnaturally small size (bc people think small dogs are "cute") they really struggle with their health a lot bc their bodies are too small to hold all their organs and they struggle with respiratory issues along with being more susceptible to diseases and having weaker immunity. Breeding dogs is absolutely inhumane and cruel. imagine saying you want a cute tiny dog when being that small means that dog lives a much shorter life and a much more arduous one as well?

But Paris isn't just guilty of this but is notorious for neglecting her pets. Los Angeles Animal Services finally interfered after rumours that staff had found a dead puppy in one of Paris’ closets. This was one of Paris’ ways of handling dogs when she got annoyed: lock them away in a different area of the house and then forget about them.

After her documentary came about, many have also accused Paris of being a neglectful mother. Her own sister, Nicky Hilton once said that Paris was too selfish to be a mother and unfortunately 😬it sort of looks like its true? Paris basically left her newborn baby with his nannies and complained about having to "work a lot" when the truth is she's a multimillionaire who can afford to take time off to bond with her newborn?? she treats her babies like props to pose with. if you watch the show you'll know what I mean. her whole attitude and demeanour made it seem like she did not gaf about her kid. She also very callously said she was doing egg retrieval over and over because she wanted a girl and kept getting boys?? idk what happened to the other embryos but its a bit icky to admit that you kind of have a designer baby? On the show, her son was supposed to get circumcised and she says she doesn’t want to be there because it’s too painful for her. How painful is it going to be for your baby?!

On the same show, she also said casually that five of her dogs got ate by coyotes on different occasions? and she cloned two of her deceased dogs??

Shane Dawson, Pushya Sun, Mars in UBP

Shane is a sociopathic asshole in general but in 2015 on a podcast, he, in very graphic detail, explained how he inserted his penis into his cat and then ejaculated onto it as well. His exact words were, "One time I laid my cat down on her back...I moved her little chicken legs spread open or whatever," "I came all over the cat. It was like my first sexual experience...I was also like 19." After this was brought back up in March 2019, he then tweeted saying “I didn’t fuck my cat. I didn’t cum on my cat. I didn’t put my dick anywhere near my cat. I’ve never done anything weird with my cats.” 🤮🤢🤮🤢

Mitt Romney, Anuradha Moon, Jupiter & Ketu

He infamously tied his pet dog in a kennel to the roof of his car for a cross-country trip.

Ted Bundy, Anuradha Sun

Serial killers usually abuse animals as children and there have been studies that link animal cruelty to future psychopathic behaviour. Ted used to abuse the neighbourhood dogs. He shot one neighbour's dog because according to him, the dog was an "evil force" that compelled him to kill. Bundy used to watch as his own father tortured animals.

Angelina Jolie, Pushya Rising

I used to suspect her of being Punarvasu Rising but I came across a 90s interview where she admits to abusing her pets which makes me think she is indeed Pushya Rising lol

"I had a dog and I ended up beating him, and he got sick and... I've hurt so many—I am just not a good animal person... I had a rabbit that died, too... a cage fell on him..."That happened when she was six. But then I had a hamster... I took him in the shower. He died of pneumonia. I had a bunch of little lizards. My friend left them in the sun, and I came back and they were just... my snake, I tried to kill."

Another thing I've noticed with Saturnian men is how they usually scam their way to the top? Deceit, duplicity, being a con artist and a scammer are also common among Saturnian men (Andrew Tate included). They have vv right wing views, especially regarding women and they're also entirely dishonest?

Lance Armstrong, Jupiter in Anuradha in 1h

He was stripped of his tour de france titles after it was revealed that he used performance-enhancing drugs and cheated on his doping tests??

Emily Ratajkowski, UBP Moon & Pushya Stellium (Venus, Mars & Jupiter)

Her bikini wear brand Inamorata has come under fire for not shipping any of their orders?? last year lol. Her brand has also been criticized for selling poor quality bikinis that are tacky and garish

Jennifer Lopez, Pushya Sun, Mercury & Rising

Apart from the fact that J Lo does not sing her own songs and has essentially scammed her way to the top, her numerous business ventures over the years including her Sephora skincare line, Kohl's clothing line etc have all been absolutely horrible, even her perfumes are apparently terrible lol

Anna Delvey has Jupiter & Ketu in Pushya

She is an infamous con artist and fraudster who posed as a wealthy heiress to access upper-class New York social and art scenes from 2013 to 2017. 

Back to the theme of Saturnians being abusive, here are some more examples:

Colleen Ballinger, Anuradha Sun

She was accused of grooming her underage fans and being creepy to them and she responded to that with a ukulele song? Her ex-husband reacted to the weird apology saying "This behaviour was my reality anytime I spoke up & disagreed with her actions & rhetoric during 2009-2016. I was gaslit too. I was made to feel like I was always the problem. Any pain I felt was an inconvenience and was belittled. Every ounce of what you’re feeling, I understand."

As someone who used to watch them in the early 2010s (I feel super old) I know for a fact that Colleen was a major asshole to Josh (her ex husband) and always acted like, since she was more successful than him, she had the "upper hand". She's a toxic narcissist and I hated the way she treated all the people in her life like they're all her glorified assistants or something ugh

David Dobrik, Pushya Sun, Saturn in UBP

If you've watched any of his content, you do know that he uses people around him for "vlog content" and often does really crass, distasteful, offensive, weird, inappropriate shit to his friends for clout? he was rightfully accused of setting up the stage for one of his friends to sexually abuse a minor

Russell Brand, UBP Moon

He has been accused or rape, sexual assault and emotional abuse by 4 women

He's like the spiritual hippie avatar of a toxic alpha chad and he used to be heavily involved in the Ra Ma Yoga place that was essentially a cult

Haile Selassie, Anuradha Moon

This is a more extreme example of men (and women) worshipping a Saturn man, in this case quite literally. Haile Selassie was the emperor of Ethiopia. In the 1930s when he initially became emperor, Rastafarianism emerged in Jamaica and Rastafaris believed that Haile was the second coming of Christ and is perceived as a prophet.

Sri Sathya Sai Baba, Anuradha Stellium (Sun, Mercury, Venus & Saturn)

Sai Baba was a guru who was revered by his followers and literally thought of as God. however, he was embroiled in several scandals in his lifetime including child molestation. Its really hard to dig up info about Indian gurus because they started doing their stuff in the pre-internet era and because its really easy to get away with virtually any kind of abuse under the guise of religion and spirituality in India.

Another guru with major Saturnian energy was Anandamayi Ma who had UBP Rising.

There will be a part 2, where I'll explore more about Saturnian energies and how it manifests in women etc<3 But I hope this post was interesting <3

[koji-haru]

Preoccupations

[Merry Christmas @inubaki!! I hope you'll like your gift!! ❤️]

The design they had for the first human had always been beautiful; smooth, perfect skin blessed by the richness of the sun, warm, brown messy locks that looked temptingly soft to the touch, beautifully long and tall. But as soon as the first human took his first breath and saw the world for the first time through eyes of pure gold, more precious than any treasure in the universe, Lucifer knew then that his heart yearned for this perfect being. Everything about this human was simply perfect. The way his eyes were wide with pure innocence and wonder, ever so curious of the new life that surrounded him. How his smile was so sweet Lucifer could feel the rush within his being. And when he finally spoke? A voice more heavenly than all of Heaven’s choir combined. Yes, the first human was perfect as if made only for Lucifer, and Lucifer made for him. 

“Welcome to the garden of Eden, Adam the first man,” greeted Sera.

Adam. Even his name sounded like music to Lucifer’s ears, the perfect melody to his lyrics. And when their eyes met, rosy reds and silken gold, it was as if time had stopped and nothing existed in the universe besides the two of them. Then he could feel his heart beat, his blood in a frenzied rush all over his system, and slowly the sounds of the birds chattering in the background, the whispers amongst the other angels, the whistling of the tall grasses all returned just as time returned to its normal flow. Back to the way things were, except somehow, the world seemed to glow even more beautifully whenever his eyes laid upon the sun.

—-

Another day, another search for a particularly evasive angel. At least the garden was beautiful; the twinkling songs of the gentle streams, the way the clear waters glistened under the golden sun, the warm breeze that flew refreshingly through his robes. Without a doubt, the place truly was paradise. So despite having to do such a menial and unnecessary task that really had nothing to do with him, Michael didn’t mind it so much. If anything, it was a good break from his daily routines. He was starting to suspect that Lucifer was doing these ‘hide and seek’ from Heaven just so he could force Michael to ‘go out and smell the flowers’ whatever that meant. He always went out, every single day he had to do a full patrol of the garden to ensure its safety and sometimes, even venture out to the world beyond the garden. Really, he felt that there was no–

Oomph! Caught off guard, Michael fell unceremoniously into the stream as something launched itself towards him, its arms wrapped tightly around him in an excited embrace. Looking up, he was met with the purest of smiles, eyes shining brighter than Eden’s sun.

“Luci! You’re–!” 

The smile on Adam’s face dropped and was immediately replaced with furrowed brows, slightly down turned lips and a slight tilt of the head as he sat up and pulled away from Michael. 

“You’re not Luci,” said Adam, a tinge of disappointment evident in his voice. 

“No, I’m not,” Michael confirmed, sitting up slightly. “I’m Michael.”

“Are you an angel too?” asked Adam as he eyed the six blue white wings sprawled out and drenched in the stream. “Lucifer has six of those too, except his are red and white.”

A small smile slowly began to adorn Michael’s face at the adorable sight in front of him. “Yes, I’m an angel too. Actually, I’m Lucifer’s brother.”

“Brother? What’s that?” Adam cocked his head to the side, the word new and unfamiliar to him. “Can I have one too?”

“It’s when, hmm…” Michael took a pause to carefully think of his answer. Did siblings work the same with humans? “Lucifer and I are brothers because we came from the same star. Similar to how wolves are brothers, or sisters, because they come from the same mother. And I can’t just give you one, Heaven will have to decide on that.”

“Oh,” was Adam’s short response as mulled over the new information he had just learned, trying to make sense of it. 

Then a set of curious eyes travelled from Michael’s wings towards his face as Adam leaned closer down, a feather light finger tracing the little gold stars that travelled across Michael’s cheeks down to a cheek, where he poked at it as if something was amiss. 

“Um…” Michael stilled on the spot, unaccustomed to such intimate contact.

“Then how come you have these on your face instead of the red ones that Luci has?” asked Adam as he poked at Michael’s cheek repeatedly. “The animals here look similar to their brothers and sisters.”

“Well, first please get off of me.”

The short distance between them accompanied by the fact that Adam was sitting on top of him was sending odd, messy signals into Michael’s brain, and he wasn’t sure what to do with it. It was unnerving to him how he didn’t mind at all this new, unfamiliar sensation. And so, with nervous, hesitant hands, he pulled Adam’s off of his face with one hand and used the other to gently push the human away from him so he could sit up. But just as he was about to finally sit up, the weight on him suddenly disappeared as a swift flurry of red and white  rushed past him, scooping Adam up and away. 

A gasp followed by soft giggles of, “Luci!” told Michael that Adam was fine and who the sudden visitor was. To his right was his brother, both arms tightly wrapped around the human, all six wings flared out and spread wide, a possessive lour sent his way which would swiftly turn into a melting gaze as soon as he laid eyes on Adam. 

Odd. Lucifer had never acted that way towards Michael before, all so defensively territorial. It wasn’t like he was any danger to Adam at all. Though, he did feel a pang of…something when he saw Adam sweetly laughing, so happy to be carefully wrapped by his brother’s embrace. The weight and warmth that was on top of him moments ago now suddenly felt like some sort of lost treasure, the pleasant presence far too distant for his current liking. It was all rather disconcerting to him, all these sudden influx of feelings. But then again, Adam’s skin against his felt rather…nice. Michael looked down at his hand, the sensation from earlier a ghostly kiss that he craved more of.

—-

“It’s a little unfair, don’t you think?” grumbled Lucifer as he sat close to Adam, trying to not-so-subtly disrupt the human’s work. 

“I told you before, Luci, your hair’s too short,” Adam tried to reason as he pushed away Lucifer’s meddling hand from the braids he was doing on Michael’s hair. 

On the other end, Michael was in bliss. He couldn’t visit the garden as often as Lucifer did, but whenever he did, Adam always showered him with affection. And while he hated the fact that Lucifer got to spend more time with Adam overall, it seemed that being busy and playing the exhausted card got him special treatment sometimes. In a way, it was almost worth it. Almost. If only his brother would stop trying to disrupt the precious time he did get to have with his human.

It took a while, a lot of wing pulling, setting one another on fire, and some discussion leading to a begrudging compromise before the two brothers could finally accept that they couldn’t keep the other from their beloved human. And as much as both of them would rather have Adam all to themselves, at the very least it was only the two of them who frequented the garden. Any other angel who dared showed interest in the garden was either suddenly given a new role or duty by Michael, where sometimes they ‘take too long’ to complete their new duties; or simply scared away by Lucifer, never to be seen again. 

Lucifer managed to slip hand between Adam’s hands and grabbed onto a golden lock of Michael’s hair, harshly pulling on it. 

“Ow!” cried out Michael, one hand reaching out to stop Lucifer’s petty assault. “Let go!” “No!” Lucifer adamantly refused. They had spent most of the day with Michael being so snug to Adam, with Lucifer feeling like some sort of third party. He should be one snuggling so comfortably on Adam’s lap! Not Michael, but him! He was first after all!

“Lucifer, don’t be mean!” Adam tried to calm the angry angel, but soon resorted to gently cupping Lucifer’s face when words didn’t seem enough. His soft golden eyes looking directly at Lucifer’s own quickly calmed down the fire in the small angel’s eyes.  “Calm down, okay?”

A huff and pout. No matter how annoyed he got, Lucifer could never truly say no to his human. But that didn’t mean he was going to give up and end up empty handed. So, he did as Adam asked and let go of Michael's hair and instead took hold of Adam’s face, pulling the human into a soft, chaste kiss. A little compensation for having been disregarded. 

The lovely red that quickly blossomed on Adam’s cheeks was worth the icy glare that he felt piercing through his body from Michael. He was sure things were going to end up difficult for him once he returned home to Heaven, but that was definitely worth the price for Adam’s first kiss. 

—-

Adam sat quietly by the river, kicking little splashes of water everywhere as he tried hard to keep his spirits up. All he needed was patience. Surely Karael would arrive soon. Though, he had been waiting for a long time now. Adam and his new angel friend were supposed to meet by the river just before the sun reaches its highest point in the sky, and yet, the sun had already begun its journey down towards the horizon and still, Karael could not be found. The angel seemed so excited as well to spend time with him. Maybe Adam had gone to the wrong place again? 

“Adam?” 

A familiar voice called out to him, and when he turned, he was greeted with a familiar kind face, speckled with little gold stars. One of the few friends he had that actually remained.

“Hi Michael…” Adam waved a little sadly at the angel, his shoulders drooped down with increasing disappointment. 

“What’s the matter?” asked Michael as he sat close to Adam, one hand wrapped around the human’s shoulder, pulling him close. 

A disheartened sigh escaped Adam’s lips, “Karael hasn’t showed up yet. She promised to show me something today…”

This always happened. Whenever he made new friends, they would always suddenly leave him without another word, gone forever without a trace. They wouldn’t even say goodbye. Adam felt the tears prickle his eyes as he lost more and more hope in meeting his new friend. He didn’t understand why almost everyone seemed to just disappear on him. Had he done something wrong? Both Michael and Lucifer always reassured him that he never did anything wrong, but that only left him more confused. Did the other angels just not like him? 

“Maybe she’ll arrive soon enough,” Michael tried to reassure despite knowing full well that that wasn’t the case. No other angel was allowed to get their unworthy hands on their precious human. 

“I don’t know…” Adam quietly admitted. 

“Adaaaam!”

Suddenly a pair of arms covered in loose robes enveloped itself around Adam’s shoulders just as a pale face with rosy red cheeks popped up brightly to the human’s left side. 

“How’s my cute duckie doing?” Lucifer asked as he rubbed his cheek against Adam’s.

Out of the corner of his eye, Michael the residual golden stains on Lucifer’s robes. How sloppy. As adorable as Adam’s curious nature was, there was no need for him to see and question the odd splash of gold on Lucifer’s robes. And so, with a silent snap of his fingers, he burned away the damning evidence that clung onto his brother.

“Much better now,” answered Adam, a little smile beginning to form on his lips. 

“Much better now? Why? What happened?” 

“Karael hasn’t showed up yet,” Michael said with a shrug.

Lucifer slid down from Adam’s shoulder until he was lazily draped over the human’s lap. “Ah, who cares about her anyway? It’s her loss! You’re too good for her.”

“I agree,” Michael added with a nod as he snuggled even closer towards Adam. “She doesn’t deserve you.”

A blossom of red began to stain Adam’s cheeks at the words from both brothers as a fuzzy fluttering had once again started to go wild from his stomach as if pink butterflies were about to burst out of him. He wasn’t sure why, but it always happened whenever either Lucifer or Michael were close to him, like right now. It was an odd feeling, somewhat akin to nervousness, but better and much more pleasant. Either way, the day might not have begun so happily for Adam, but at the very least both Lucifer and Michael were always there to cheer him up and brighten his day. He felt so incredibly lucky to have the two as friends who cared deeply for him. 

The sky was a bright orange and the night was fast approaching as the sun began to sink in the horizon. In the past, Sera would’ve been a little worried about both Lucifer’s and Michael’s prolonged absence from Heaven. However, at this point, she already knew where the two could possibly be. The place where they spent most of their free time: the garden of Eden. 

As usual, Sera was correct in assumption as she stood over the trio sleeping on grass with Adam in the middle wrapped between the two brothers, encased in both of their wings. Sera did find it odd at the start, and honestly, she still did until now. But no matter how much she questioned and tried to reason with the brothers, both remained adamant about staying in the garden. And really, there was only so much she could do. A tired sigh escaped from her. She supposed Adam could use a friend or two, at least until they finished making the first woman. For now, she would leave the odd trio be. There was no harm to it after all. 

—--

It had been quite some time since Lucifer had smelled air that wasn’t stagnant and pungent, one that wasn’t devoid of life and joy. The cool breeze that ran fast through his silken locks had never felt more freeing as he climbed atop a fluffy cloud to sit beside his brother. It felt odd to him, to feel warmth. Warmth, not scorching, burning heat from beyond the deepest depths of the earth. It was a gentle warmth, a tender kiss from the sun so high up in the sky, so close to the place he used to call home. 

“I’m still in disbelief at what you did,” Michael said as he moved a little to make some space beside him, his eyes still glued attentively at the young, new world beneath them.

“Well, what else could I have done?” Lucifer retorted as he took the spot on the cloud offered to him, his eyes also beginning to scan the earth for a certain someone. “Besides, it’s not like you were entirely against it.”

Michael let out a weary sigh, unable to fully deny his brother’s implications. “Couldn’t you have done the same to Eve as I did with Lilith?”

“You do know Eve, right? That woman could not be persuaded to abandon her purpose,” Lucifer scoffed before his shoulders dropped low, weighed down by a sudden gloom, his ruby eyes in pained yearning as he found the person he was looking for.

Beneath the two brothers, far down below from the lofty clouds, was the beginnings of a small village. New humans that Lucifer had never seen before, though each one had an odd air of familiarity to them, whether it was the colour of their skin, the shades of their hair, or the shine in their eyes. Each one of these new, unfamiliar humans had a little piece of their beloved Adam embedded in them, one that Lucifer had been denied of by Heaven. And amongst the slowly growing crowd, was a tall man with skin marred by untold hardships, flesh grown stronger from endless necessary work, lines amongst his face that held stories of the past. But despite all these changes, those eyes remained ever the same: a gold more radiant than the sun, far more precious than any treasure that could ever be found in all of Heaven, Hell or Earth. 

“Why did Adam have to leave the garden too?” sighed Lucifer, his heart breaking at the sight beneath him: his beloved having a life of which he had no part in. Suddenly, a thought popped up in his head. Was it a little sinister? Something an angel should never think of? Perhaps. But Lucifer supposed that didn’t matter to him anymore. He was no longer an angel after all. 

“They’re mortal, right?”

“..yes?” Michael eyed Lucifer suspiciously, though he was willing to hear him out. “Why are you asking?”

“And they no longer have the protection they had in Eden, right?” Lucifer continued.

“Lucifer, I'm not killing Adam just so he could come to either of us quicker,” Michael said resolutely. 

“What? No! Not Adam!” Lucifer refuted absolutely, eyes widened in shock that his brother would even think of that. “I meant Eve! Eve!!”

A contemplative look washed over Michael’s features as he mulled over Lucifer’s suggestion. As an angel, he couldn’t directly intervene with human affairs nor could he communicate with them personally ever since the incident in the garden. Lucifer, however, no longer had obligations to Heaven, though he had been cursed to remain in Hell for the rest of his eternal life. Of course, that didn’t mean he couldn’t loosen those chains a little once in a while. 

“Hm, Earth is quite a harsh place. Not very safe for fragile, mortal humans,” Michael mused loudly. “An unfortunate accident or a lethal animal attack is bound to happen soon.”

Michael gave Lucifer a calm look redolent of malignant mischief. “I heard some snakes are venomous…and deadly.”

“Really now?” Lucifer queried, his tone in playful high pitches. “I’ll be sure to keep that in mind~.”

—-

“Is he dead yet?” Lucifer asked as he lazily laid on the cloud, his head barely on the edge. 

Sitting beside him, was as usual, Michael, his expression impassive and unreadable as he observed the now large and steadily growing human village.

“Unfortunately not.”

Lucifer let out a loud groan, stretching all of his limbs before letting them fall limply to his sides. “Eve died a long time ago, and it’s almost been a millennia since he had left the garden.”

He rolled over so that he was now laying on his stomach, his side flush against Michael, before suddenly sprouting up, voicing his anxiety aloud. 

“Are you sure he’s mortal? He didn’t eat the fruit, what if? Oh, no! What if–!” he gasped dramatically, one hand over his mouth, the other grasping onto Michael as he shook him urgently. “Michael! Go get your sword, we’re taking matters into our own hands!”

“Lucifer calm down,” Michael calmly reassured his brother as he tried to pry Lucifer’s claws off of his arm. Though, after realising that words were not enough to calm his brother down, Michael then opted to simply grab Lucifer’s face and forcefully tilted it down towards a particular spot in the village. 

“Look carefully,” he said, “Do you see Adam?”

With his face squished and held onto place, Lucifer had no choice but to focus his eyes towards the direction he had been turned to. He squinted and squinted, readjusting his eyesight to see more clearly until finally, it landed on a frail figure with ashen hair, sun-kissed skin marked full of a lifetime of adventures, and surrounded by a loving crowd. If it were anyone else, they might have not recognised him, but Lucifer could never ever forget the eyes of the one that stole his heart. No matter how much time had passed, those eyes remained forever the same. Sure, they looked far more hardened than the first time he had seen them, the golden glow in them a little more jaded, but it still belonged to the first man. Their precious Adam. 

Taking Lucifer’s silence as affirmation, Michael let go of his hold on Lucifer, letting him hang in a trance. “Don’t worry, Adam’s not immortal. He’s aging, and I’m sure he’ll be truly home soon. Just give it some time.”

“Ooor we can speed up the process,” Lucifer jokingly suggested, but also was half serious. Surely Adam wouldn’t mind it so much if they freed him from his feeble shell sooner than time would. 

“That would be nice, but no,” Michael shut down Lucifer’s suggestion, knowing fully well that his brother would act on it if he so much as gave a hint of approval. “We’ll play it safe this time. He’ll come to us eventually. He has to.”

—-

Lucifer sat stupefied in the embassy at the sight in front of him, an odd concoction of awe, incredulity and indignation slowly simmering within him. Sitting right across from him was none other than the love of his unending existence, his Adam in all of his golden beauty. It seemed that the afterlife had returned his youthful appearance, one that was strikingly similar to the look he had back in the garden. But that wasn’t what truly captured his full attention. He didn’t know it was possible, and yet the proof sat so casually in front of him. Somehow, his human had become even more beautiful, going beyond perfection. The way the soft golden glow of his halo illuminated his face like a loving caress, those pair of shimmering gold wings so large that they easily reached the ground, those loose white, lilac and gold robes that hid his form so teasingly; just the thought of being the privileged one to unravel it like a gift and see the perfection hidden beneath it sent pleasant shivers down Lucifer’s spine. It had been an eternity since he felt such sublimity, and he had only been close to Adam’s presence. He could only imagine…

Another important matter, however, caught his attention. His human was now an angel, and that meant that his angel now resided in Heaven. That was a problem. Another glaring problem was the fact that his brother, Michael, was very comfortably snuggling against his angel! 

“How long have you been in Heaven?!” Lucifer let out an anguished cry as he stood up, slamming both hands on the long table separating him from the two angels. 

“Hmm, when did I first arrive in Heaven again?” Adam wondered aloud, his chin rested atop of Michael’s soft golden locks. 

“I’d say, maybe, a few months ago?” Michael answered, a curled finger resting against his lips in thought. 

The sound of Adam’s angelic voice would’ve sent Lucifer in catatonia with how velvety sweet it felt in his ears if it weren’t for that fact that he had just found out that Adam had died and gone to Heaven months ago, and he had no knowledge of it the entire time. 

Blood red horns pointing to the sky sprouted from his skull, a raging fire in between them, his spiked tail swishing impatiently behind him as his anger slowly reached its boiling point. The sight of both his Adam and Michael being so close to each other in front of him not helping to calm him down. A void like shadow loomed before him, gradually increasing in both size and intensity the more he leaned forward, directing an aggrieved glare towards his brother. 

“All this time! You had Adam all to yourself?!” shouted Lucifer, the fire between his horns flaring up with every intonation. “How is that fair?!”

On the other hand, Michael seemed unaffected by Lucifer’s display of fiery rage, one hand reaching up to gently pat Adam’s head in reassurance. He knew his brother could be rather emotional, especially when it came to the first man. Other than that, he was harmless, at least to both him and Adam. 

“Adam had to first learn how to be an angel, and setting a meeting with you including Adam took far too long to be approved,” Michael explained.

“Clearly! You were hogging all of Adam’s time!” Lucifer argued, his legs bent and ready to spring towards his target. 

Michael wouldn’t admit it to Lucifer’s face lest he make the aggrieved Devil explode even more in anger, but he did enjoy having most of Adam’s time and attention during those first few months. There were some nuisances he had to get rid of by way of gentle reminders of their positions and capabilities, but it worked out in the end. For the most part, he managed to assign himself as Adam’s teacher and guide in Heaven, with most other angels having learned to keep their distance away. 

“We arranged a meeting as soon as possible,” Michael assured, though it was a little white lie. While Adam had expressed wishes to meet Lucifer as soon as possible, Michael secretly hoped to prolong their shared time together. “Isn’t that right, Adam?”

A faint golden hue dusted Adam’s cheeks once both sets of eyes, one a deep ocean blue, the other passionate ruby red, landed and focused on him with an intensity that sent his heart in panicked beats. He wasn’t sure what he did, but ever since he arrived in Heaven Michael had been attached to him almost everywhere he went. The archangel’s gaze was always an ocean that he found himself lost and drowning in with its intense waves of affection. Despite the months he had spent so closely with Michael, he still hadn’t gotten fully used to it, and now, Lucifer himself was also giving him a similar look. A passion burning wildly in those fiery reds, a hungry heat promising both sweetness and spice. In a way, it was almost predatory, and yet, Adam couldn’t find it within himself to run and escape, instead, he was drawn to it. 

“I– uh,” Adam stammered, those red eyes sending an odd tingly feeling all over his body. He moved his gaze randomly towards the smooth table, a feeble attempt to escape that fervent gaze. “We did try to meet you as soon as possible…”

Adam felt a slight nudge from Michael, encouraging him to go on. “...because I missed you too, Luci.”

Luci. Luci. That nickname hadn’t been uttered in almost a millennia, and just the sound of it being pronounced by none other than his sweet angel sent the flame burning within Lucifer into a raging blaze. The intensity of the flames between his horns burned even brighter, all of his six red-white wings spread out wide in ardent excitement. Then, without another word, Lucifer released the tension that had been building up inside of him all this time and sprung onto Adam, colliding against Michael. The collision hadn’t phased him, however, as he simply shoved his brother out of his way and wrapped his arms tightly around Adam, nestling his head in the space just between Adam’s chin and chest. Oh how he missed his beloved’s scent, that refreshing earthy scent. And that warmth, the coziest he had ever felt, one that told him he was home.

—-

“Michael, what’s the meaning of this?!” Sera demanded, slamming a scroll down onto Michael’s desk as she tried her best to the anger that was starting to spill out of her. 

Slapped onto Michael’s desk was a golden scroll, one used by Heaven for official contracts and deals. Once signed, it was unbreakable lest they face unwanted and unfavourable consequences. This particular binding deal had only been recently signed, the parties involved included Lucifer, Adam, and Michael himself. 

“It was the best solution to keep Hell under control,” Michael coolly answered as he took the scroll into both his hands, one finger swiftly skimming over the details of their deal. 

“It says here that ‘Hell will not attempt any uprising against Heaven and will keep its citizens in check so long as their King, Lucifer, shall have his wishes granted, that is, the presence of the first man, Adam, in Hell for at least half the time of a year,” Michael read the important details of the deal aloud as if to make Sera understand carefully. 

“I know what the scroll says, Michael,” Sera said sternly. “What I’m asking about is the nature of the deal.”

Michael took a quick glance back down on the scroll and then back to Sera, a quizzical look on his face. “I don’t see a problem?” 

An exasperated sigh, bordering on a loud groan, left Sera’s lips as she leaned back, fingers pinching the bridge of her nose. Lucifer threatening to come crashing on Heaven’s gates was enough stress and trouble for her to handle, and now Michael had gone and made a deal with the Devil without her explicit consent? Yes, she allowed meetings between him, Lucifer and Adam in hopes that those talks would help calm Lucifer down, knowing the deep relations both Adam and Michael had with him. What she hadn’t expected was…this. And worse yet, Michael seemed to find no fault in this? 

“You need to calm down, Sera,” Michael said, leaning back on his chair, the calm air that surrounded him only served to further irritate the high seraphim. “And look at this at a more logical angle.” 

“Calm down? How can I be calm when you’ve simply signed Adam away to the Devil?!” Sera asked in irate disbelief, her wings beginning to flare up in slowly bubbling anger.

“Just for half the year. Like I said, please look at this situation more logically,” Michael explained again. “This deal would ensure peace between Heaven and Hell.”

“But Adam–”

“Will not be harmed by Lucifer, I can assure you that,” Michael cut in. “Adam will be safe. Plus, he was actually very much in agreement with the deal.”

That seemed to have put a sudden halt to Sera’s enraged panic, all of her wings slowly losing their fervor as they began to lower, the furrow of her brows starting to soften as her expression slowly changed into a more composed albeit confused one. 

“What?”

“Adam was very much in favour of the deal. He’s good friends with Lucifer,” Michael repeated and clarified with a soft smile, blue eyes looking kind and stern at the same time, a silent declaration that he had made up his mind and that there was no changing it no matter what. 

At that point, Sera knew then that there was no arguing against Michael. It wasn’t an occurrence that happened a lot, most of the time Michael was rather accommodating to her opinions and thoughts on a variety of matters. However, when it came to matters regarding the first man, then Michael could suddenly become particularly stubborn and a little autocratic. It was something that had been concerning her since the garden, only now did she realise, when it was too late, that his fixation with Adam might run just as deeply as Lucifer’s. And that thought alone sent icy shivers down her spine. Lucifer on his own was trouble enough, having the two of them go rogue would simply spell trouble for Heaven, something Sera would rather avoid. She took another glance at the golden scroll laid flat on the desk, the feeling of defeat weighed heavy on her shoulders. As much as worry clung tightly onto her core, Sera couldn’t recall a time when Michael had brought harm to either Heaven or humanity. Simply put, she just had to trust the archangel to not cross the line just like his brother did.

Without much of a choice, Sera reluctantly accepted the deal that Michael had already made with Lucifer and Hell. There were so many questions swirling in her mind, like how could Adam be so willing to this deal? How was Lucifer good friends with Adam? Hadn’t they been separated for over 900 years? So many questions, and yet, she couldn’t ask any of them in favour of ‘keeping the peace’.

“Well?” Michael asked, his head tilted slightly to the side.

“Please, next time let me know of the details first before you go deciding things on your own,” Sera replied, her tone exhausted and drained beyond measure. 

“Noted.”

—-

Flashes of lights in varying colours danced in the dark red wallpaper of the castle. On the plush black couch, Lucifer sat comfortably on Adam’s lap, snuggling his face in the nook of his angel’s neck, enjoying the mesmerising scent that he had dearly missed. Adam, on the other hand, was focused on watching the movie playing on the wide screen in front of them, one hand occasionally dipping into the popcorn bucket on his side. In the comforting darkness of the living room, the world outside, the burning landscape, the screams of damned sinners hurling violence against one another, felt so separate as if both Adam and Lucifer were separate and away from the chaotic mess that was Hell. 

Then, suddenly, a bright blue light shimmered into the room as a familiar pale figure casually emerged from it, causing Adam to briefly shift his gaze from the tv screen towards their new guest. Lucifer, on the other hand, was unfazed by the portal suddenly opening up in his castle, already used to its almost constant appearance. 

“Oh! Hey Michael!” Adam lazily waved his butter covered hands over, gesturing the archangel to come over and sit by his side as he moved the popcorn bucket away. 

“Hi Adam, what are you watching?” asked Michael as he walked over to his angel’s side, opting to instead shove Lucifer a little to make some more space on Adam’s lap. 

A whiny groan sounded in the room as Lucifer fought against being shoved by Michael, his pointed teeth biting into the hand that was pushing him aside. Michael, however, was unfazed by this ‘act of violence’, a small smile painted on his face as he kept on shoving his brother and made a comfortable enough space for himself on his angel’s lap.

“Ugh, why do you always have to budge in?” Lucifer groaned aloud, clearly peeved about having to share his Adam. 

“Because sharing is caring, dear brother,” Michael answered back. 

“I’m the Devil, I don’t care,” retorted Lucifer, sticking out his tongue childishly as he tried to push Michael away. 

Suddenly, the two brothers were pushed close together as Adam wrapped both arms around them, pulling the both of them even closer to him. 

“Both of you hush,” Adam lightly scolded as he hugged them even tighter, both of their faces now flush against his chest. “I’m trying to watch the movie.”

A victorious smirk formed on Adam’s lips at the silence that answered him, knowing fully well how such intimate actions affected both brothers no matter how much time had passed. He could practically feel the raging heat on both of their faces through his clothes. 

“If you both can promise to behave throughout the rest of the movie,” Adam started, “then I’ll be sure to reward you both handsomely~”

The two seated on his lap perked up noticeably at the notion of being rewarded, both suddenly becoming far more amiable and compliant to one another. Was Adam going to regret having dangled a shiny reward in front of the two? Perhaps. But he had offered rewards multiple times before, his back regretting it the morning after most of the time. Still, that hadn’t and wouldn’t ever stop him from offering some more. Good boys deserved to be rewarded after all.

[susandsnell]

Re anachronistic feminist characters, you are absolutely right and you should say it.

Maybe people who want to read "write women who sew" type stuff should just go do that instead of trying to make every single female character fit into their worldview. Because I don't want every character to be Eloise, I'm fine with variety, but a lot of people seem like they can't stand even one woman challenging gender norms.

No amount of faux progressive language will change the fact they sound like highschool bullies picking on girls who are too GNC or too "weird."

Thank you so much! Ideally, you'd have feminist characters more representative of the feminist or proto-feminist views of their era where the work is going for historical accuracy to honour the different points of where we were in history and also acknowledge the flaws of the movement at different points in time (1994's Little Women versus the hilariously bad 2019 version comes to mind), and certainly there's an element of repetitiveness in this character type, but this is seldom if ever the criticism I see. The truth of the matter is that in fact many early feminists did denigrate work designated as feminine, but we can acknowledge this as misdirected anger at having one option deemed valid.

Instead, we've somehow arrived at "wanting to be treated with human dignity is internalized misogyny because it really cramps my ability to romanticize the past". As you say, nothing wrong with valuing the labour more frequently done by women, but the fact of the matter is you can do that and show that there were always many people who resisted or did not fit into the tight boxes that society forced them into. Instead of, you know, ridiculing them for wanting to break the boxes while enjoying the fruits of having to fit into fewer boxes than our predecessors precisely because of women who loudmouthed and fought back and didn't fit into certain people's fantasy of being a submissive little princess. The kind of girls you made fun of and ostracized in high school, one might say.

To address a particular point you raise that I think is the most important in this entire ongoing discussion:

No amount of faux progressive language will change the fact they sound like highschool bullies picking on girls who are too GNC or too "weird."

I keep saying it, but a certain type of liberal feminist are now using "NLOG" the way it was socially acceptable 10-15 years ago to call someone a lesbian/homophobic or transphobic slurs because they didn't wear makeup or want a boyfriend. It is absolutely high school bullying mentality and has gone from an imperfect attempt at addressing internalized misogyny to active misogyny and latent/often overt homophobia and transphobia.

This is what the numbskulls making video essay after video essay about the apparent 'NLOG crisis' fail to grasp. The Heathers and the Plastics are not 'demonized for being feminine', they are accurate representations of how under patriarchy, social capital is gained through strict, obsessive adherence to white, Western beauty standards (which corporations can profit off of endlessly by manufacturing infinite insecurities, so bonus to the rich girls) and excelling at heterosexuality and pleasing others, and this system self-reinforces by the 'winners' bullying those who do not conform as easily. Jo March, queercoded dynamo that she was, took nothing away from the sisters who were happier with more traditional lifestyles because she wanted better for herself and the girls of the future, and represents so many women who fought for just that. You're not actually an intellectual for thinking Daphne Bridgerton has more value than Eloise because she was designated the season's Diamond, a literal in-universe (and true to life) Prize For Being Correctly Female, and unquestioningly accepts being paraded around like an ornament and smiling at being auctioned off to the highest bidder while Eloise fought back, criticized, and wanted an education more than any boy until they forced heterosexuality upon her. You are in fact a vanguard of the very patriarchal system the franchise even presents as backwards, because you don't want anyone raining on your arranged marriage fantasies.

There is nothing, and I mean nothing feminist, about snarking girls who do not like or for whatever reason, cannot or will not perform conventional femininity.

There is a certain sour-grapes defensiveness that comes from beig ostracized and punished for Failing At Your Gender if you weren't good at what was expected of you/resisted it. Femininity is derided, but it is also imposed (the two work in tandem to oppress women); and if you fail at its imposition, it's natural to try and gain protection by participating in the derision. Hell, I theorize that people who proclaimed themselves "not like other girls" in the contemporary age often did so out of resistance at the fact that we're supposed to perform (cisheteronormative) sexiness from the time we hit our teens, and of course the panopticon self-reinforcement that is how Other Girls treat you if you, an adolescent girl, shirk performance of femininity in any way. Certainly, I've also read much about GNC girls (of various identities) and neurodivergent girls equally having turned to this, which makes sense, as they're frequently targets for such bullying.

I do also think - and have personally experienced - it was an often imperfect articulation of queerness in many cases. The societal ideal of women under a patriarchy is cisheteronormativity; our value is derived from our appeal to men, and from the time we start maturing, sexual availability and appeal to men is the highest virtue. Therefore, women whose sexuality is not limited to men - or heaven forbid, doesn't include them at all - 'fail' gender, and accordingly often feel a sense of alienation and ostracism from other girls when they don't get as excited about dating boys. Also, in many cases (anecdotal I admit from people I know, but still significant), people who had a phase of asserting they "weren't like other girls" were in the process of discovering that they weren't girls at all!

And in some cases - again, I've mentioned that I was an Eloise for all the handwringing about how girls of that era wouldn't say that or do that and it would never occur to want more than what they had (...okay, so why are things different now?) - it's a frustration from the outspoken feminists and reformers at not being able to get other girls on board with us, because deviation from expectation will make you the weirdo who gets punished and rejected because ugh, annoying! As one historical costuming youtuber I won't name so charmingly puts it in her godawful video essay, "the women who made a big show of fighting back were freaks." (Way to convince us you care about feminism...)

All this to say the anti-NLOG brigade have utterly worn out my patience, and at best seem ignorant of the battles that have won us the freedoms we have today because it's not fun to consider how your escapist fantasy might be problematic (understandable, you don't always have to reflect on this to be aware), and at worst? They're getting the chance to be the mean girl in high school again/that they never got to be, they're just dressing it up in the bastardized language of feminism.

[theagstd]

One Night Stand ; 03

➥ rundown ; as if the unexpected twist of a one-night stand turning out to be your CEO boss wasn't surreal enough, the situation takes a more challenging turn when both of you discover that you're expecting his child.

→ genre ; enemies to lovers | CEO au | pregnancy trope | slowburn

→ Jungkook x y/n

→ contains smut, fluff and angst

→ Chapter Three ; wc | 6.5k

primarily on Wattpad

index ⇢ next chapter

"Okay now this is so fucking amazing! he really decided to choose me of all, this was unbelievable but- also what the heck?" You speak to yourself, walking side by side in your living room while you bite your nails and look at the damn email that you received.

Congratulations on Your New Role as Graphic Designer

Dear Ms Lee Y/L/N,

I hope this email finds you well. I am writing to extend my heartfelt congratulations on being selected for the Graphic Designer position at Jeon Industries.

We are thrilled to welcome someone of your talent to our team. Your portfolio speaks volumes about your ability to bring fresh and innovative ideas to our projects. We are confident that your expertise will significantly contribute to the success of our design team and elevate the visual appeal of our brand.

As you prepare to embark on this new journey with us, please feel free to reach out if you have any questions or if there's anything you need to facilitate a smooth transition. We believe that your unique perspective and skills will be invaluable to our ongoing projects, and we look forward to seeing the positive impact you will undoubtedly make.

Once again, congratulations on this well-deserved achievement. We are excited to have you on board and are confident that you will thrive in your role as a key member of our creative team. If there are any preliminary tasks or preparations required before your start date, please let us know, and we'll be happy to assist

Best regards,

Lee Y/L/N

Graphic designer

Jeon industries

See, the mail looks inviting, warm, exciting, and a mix of emotions rush inside your system. It's happiness as well as nervousness and anxiety. Like you're unsure of this yet. It doesn't sound very accepting yet, especially after you've seen the CEO himself. "they really did not have any choice?" You ask yourself and sit on the couch. As you give it thought, it also sounds funny. Remembering your now CEO, Mr. Jeon. You think that he probably has had many nightstands in his life.

It isn't surprising, as he's like every other man who has his needs, besides he's also good-looking and very rich. chuckling, you mentally slap yourself at the though of him fucking other women. "Sounds so fun!" You tell out loud, planning to hook up with someone sooner again. But with work now, you don't think you'll find the time especially after the phone call you received by an unknown number that was from Jeon Industries,

informing you that they need you present tomorrow to sign the contract and immediately begin work as the recruitment process had taken way too much longer than planned and the new project coming up needs you to be a part of the innovations too. That definitely scares you, thinking about how you're gonna work tomorrow and it being your first day sounds so hectic but now you've got nothing to care about except the job. You've finally been recruited after working at multiple cafés for a small salary. saying goodbye to the few friends you made at the cafe wasn't too bad considering how the friendship lasted for just about 3 months. you changed jobs a number of time so it wasn't a big deal neither was it too sad. 

But working your passion, graphic designing is all that you've been wanting, and when the opportunity grabs your hand, all you've got to do is hold it back and tighten it to your palms. Leaving your phone on the couch you moved to your bedroom, grabbing the outfit that you're gonna wear tomorrow so you could iron it with no creases since you must look presentable on your first day.

You're gonna meet the other employees, see everyone there so you must look amazing too. Considering how elegantly the women looked when you first entered the Jeon building for your interview they walk around with files in their hands, their identification card around their necks and their heels clicking on the tiles, carrying them confidently.

You picked out a black turtleneck and wide leg pants that were grey to match with your top. It was classy and simple enough for your 8 hour shift. Dinner was down too, you weren't very good at cooking even though your mother passed down her old recipes to you in her cookbook that's probably somewhere inside a drawer, dusty and torn papers. You're not the cleanest person you know and you are also not one to treasure stuff, the cook book was your moms precious item but it's hidden under tools and you're the least bothered about it. So you stuck to eating food from the convenience stores down the street as it's open 24/7. It's one of the best parts about Korea, having stores open every hour and having a wide range of food to choose from.

It's amazing and there's always something new to try, it's fresh too and keeps you healthy or that's what you think. You missed out on it while you were at college because even though you were born in Daegu and your parents are from Daegu and Ilsan, you three moved to Canada at a very young age due to most of your family migrating there and also for financial purposes since your dad worked there for years and basically lived in Canada all his life even after marriage until he decided to move his family there so he wouldn't have to transfer money and was also welcomed home to his wife's and daughter's presence.

Preparing for bed, you picked up your favourite book 'shatter me' that you've been hooked on the past few days, it's a better way to fall asleep than viewing social media at night. The words blurred a bit while you read, until your eyes completely shut so you placed your book at the night stand and turned to hug your plushy so you could sleep well.

-

You are glad that the loud sound of your alarm broke your sleep and hurried you to dress up. you're glad that your apartment has a close distance to the building you are now working at. It's just a few kilometers and that allows you to be calm. When you stepped into the building, you were guided by the staff member to the CEO's cabin. You take a deep breath before you step inside the room to see the man seated on his chair, in his tailored black coat that was put around his chair leaving him with his shirt and inner waist coat. He was typing into his mac book and when you walked in, his eyes flicked to your figure then back to his screen.

The man who guided you here, whispers over to you to take a seat and pay attention to Mr. Jeon's words. Jungkook looks at you when you've finally settled on the chair, he pushes his mac book down and looks at you with his dark hooded eyes that look empty. Before his eyes could meet yours, he saw the fumbling of your fingers, that portrayed your nervousness to him even though your face showed no sign of anxiousness. He looks into your eyes as yours bore to him. One thing he now knows is that alcohol does shit to people but he doesn't think it affects you much because even though your breath reeked of champagne and your movements assured him that you're so fucking drunk, he can still see the same person seated in front of him. Only a bit more contained and disciplined and who speaks with respect.

"How have you been, Ms Lee?" He questioned you with an intimidating voice, he now places his arms on the table as his palms join together while he glares at you. His stares do make you flush but you avoid thinking about it so the effect doesn't show itself on your face. "Very well, Mr Jeon, how have you been?" You replied to him, keeping up an affirm tone, to hide back your anxiousness that slowly creeps up in between seconds. "Likewise." He responded confidently while his fingers drummed on his table that definitely didn't go unnoticed by you, his slim fingers looked gorgeous and were so beautifully molded.

The man tossed a file in front of you after questioning your wellbeing. "Read this carefully, and sign it if you agree on the terms and conditions and are fully aware of the employment contract." nodding at his words, you open up the document and progress to read each page not missing out on a single word. You don't want to make any mistakes so you go slow and steady with this, as it's the first step.

You signed the papers when you found everything okay, it was all fine and you agreed on all rules and information listed. "If you have any questions, proceed to ask Mr. Jung. He will give you a tour around here. You may leave." He muttered as he got back to his work, opening his mac and typing what he left incomplete. His tone was not something you were a huge fan of, it was arrogant, you could see it but he was also so full of attitude and full of himself. He spoke a handful of words and they were already too painful for your ears. You stood from your chair, bowed at the man before leaving the room.

You left out a loud exhale and walked out of the room. Mr Jung, the man with parted hair, full suit and a long face stood beside you after you walked out, he chuckled when he heard you sigh. "We all feel that when we meet Mr. Jeon. Let me give you a tour of the building" He guided you to the elevator, taking to you on level 31, just one floor below Mr Jeon's office. As the elevator opened up, you could see how well focused and quiet this department was. You walked along with Mr Jung, and he led you to your area.

"So this is the most important department, the graphic designing department, since our company Jeon Industries prioritizes our employees needs and wants, we have a very comfortable and convenient area for you, as you're the graphic director. There's some important features you must know. Before that, let me introduce myself. I'm Jung Hoseok, the manager of this department, you can call me Hoseok."

He reached his hand out to you, which you gladly shook with a smile on your face. The man had a beautiful smile that expressed his kindness and softness in his voice. "So, as you are aware, Jeon Industries specialises in advertising and selling of brands, brands that we own, as well as supporting the biggest companies out there. How does graphic designing work out? Well, we do adverts for the biggest and the best companies in a variety of industries, makeup industry, fashion industry, and even the food industry. And to mention Mr Jeon also has his own brand of clothing. Hence, this falls quite heavy on the graphic director, you."

Hoseok said, this made you exhale a quick breath, which you soon covered with a smile when you hear the man speak about his serious business. "It's not too bad, you'll do it. And The campaigns that you've obviously seen on TV, social media of Dior makeup, Kylie cosmetics, Balenciaga, Calvin Klein, Celine, Gucci, Louis Vuttion, Veneta Bottega and more were done by us, thus increasing their sales like shooo."

He gestured with his hands, showing the increase of sales and exaggerating it. "We've been doing well in the business world and have very high recognition for our amazing advertising team and creativity, so you've got to work a bit harder. We've got a project in two days and that's the reason why I'm explaining things fast and detailed. You must be prepared for anything and please don't hesitate to ask anything from me.

Treat me as your friend." He placed his hand on his chest and bowed. You already liked this man a lot. "So I will leave yo -" "Well, well, look, who's here?" A raspy honey-like voice spoke, you turned around to face it, and there you saw a beautiful man walking towards you with his palms inside his pants pocket. His beauty was out of this world, his expressive eyes that looked into your soul, and his walk? He doesn't walk, he models.

You noticed how Hoseok was sighing deeply when he saw the arrival of this man, he scratched his forehead and looked away, without meeting your curious eyes. "So this is our new graphic director? Ms. Lee Y/n! The one who replaced me in this position with zero work experience." You frown when you hear the words that come out of his mouth. Replaced him? Was he supposed to be taking this job? "Jimin, there's no need to -"

"Ah, ah, there is a need to let her know the damage she's done." The man pushed his silky blonde hair back and smirked. you noticed how plump his lips are, looking at you with a fake smile. "I was supposed to be the creative director, but you, Ms. No work experience replaced me! So you'll have to pay for it. You've got to survive in this job before you fly high." He speaks, gritting his words from his teeth before he walks away, knocking Hoseok with his shoulder. You looked over at Mr Jung, who clicks his tongue and heaves a sigh. You needed an explanation, if that man is gonna bully you at work for something you hadn't done and have no idea about, then you're gonna have to let the CEO know about this, you're not here to tolerate shit.

"Mr Park didn't-" "What did he mean by I replaced his position?" You asked, curious as to why the man was blaming you with hatred. "Since all the applicants weren't to the standard, Mr Jeon acknowledged Mr. Park and considered handing over the position to Jimin but that was not promised, the shortlist of applicants were not up to mark until you turned up so Mr Jeon decided to fill the vacancy with you."

"Why did Mr Jeon not give the position to Jimin? Hasn't he been working here before?" Hoseok looked at the ground, contemplating if he should go into more detail with this, but he decided it would be best if you know what the problem is since it concerns you.

"You see filling the vacancy with internal recruitment is a good idea, Jimin is well aware of how things work but filling the vacancy from external recruitment brings new ideas to the business and that's exactly what Jeon Industries needs you know-" Hoseok spoke, obviously hiding something because his eyes looked everywhere except yours which was quite obvious since he spoke to you making eye contact before. "Is there anything more?" He bit his lower lip, caught.

Is he really an open book with his expressions, he thought. "Well- Mr Jeon does not like Jimin very much, it's due to Jimin's behavior towards work but anyways I'm gonna let you look around your work space, remember if you need me I'm just by the corner of the right corridor."

Hoseok said, and you nodded, thanking him and letting him continue his work. You walked inside your corner, taking a seat on the office chair,looking around your personal office. You've now got a desktop, a laptop, and an ipad of your own to work with. There's some files and papers lying around and expensive stationery too, but overall what you liked the best was the privacy that you obtained here, your own working space.

"Wow, this is very different from a cafe." you speak to yourself and laughed quietly about it, Sighing, you leaned back on the chair and closed your eyes. You finally got a job that can show your abilities. Applying the years of hard work is gonna pay off now, and that makes you feel so happy.

-

waking up at 7 in the morning is difficult considering how you usually work part-time at the cafe so you had your own shifts but full time working is new to you, though it's exciting it is also nerve-wrecking to wake up so early and it's still your second day at work. 

You didn't have much to do today, but you were informed to be prepared for a meeting tomorrow that will test your abilities. It's a meeting with Han Paris, and he's said to be the largest alcohol manufacturer and wants to advertise his latest alcohol flavor to the market. No lie but you're definitely feeling anxious about it but nevertheless you were ready to take up the challenge to showcase the best idea out of all now that you've got the position, you must show justice to it and not disappoint the CEO himself. When you got home, you finally felt relieved, like a burden was removed from your shoulders.

You've been living off with a pretty okay number of won that you earned from the café that you worked part time in. Finally, you're earning a salary that serves the right amount to live off with. To pay your rent, your monthly rations, and even have a very fair percentage to save or get yourself anything you want. Getting into your pj's, you prepared dinner for yourself, just a light salad, nothing too heavy, because Hoseok treated you with an evening snack as a welcome gift from him . That was a very sweet act. You didn't have to think about tomorrow's breakfast because the cafeteria is always open and the food tastes amazing!

You decided to check out some of the advertisements done by Jeon Industries just to get an idea of what they've been doing for years. So you pulled out your work laptop, Hoseok said you could take it home for any preparations, so this was the opportunity to use it. Everything was already saved in the folders. What blew your mind was that each ad campaign was very different from one another. That makes you think how innovative the ideas of the designers are, and that also scares you because tomorrow you will be seated with them and they'll be your competitors, though you all aim to just get the deal for Mr. Jeon.

You've got to present your idea and hear them out but it's not that easy, you want yours to stand out because it's not just about the idea, it's also a test that Mr Jeon has put you to, Hoseok mentioned that if Mr Jeon says you to be prepared he means it. Everything should be perfect, as he's a perfectionist, you can't afford to make a mistake. You're gonna work hard to achieve it. Moreover, it's his reputation and money that's at stake. Anyone would want it to be perfect. Once you've grasped the amazing and unique ideas of the past campaigns, you decided to research Han Paris and his business.

Since apparently, the latest wine has never been in the market before, the target audience is adults that drink and if that's not enough the prices of the wine are premium, that explains enough to you. You really took time to read every detail mentioned in the document that was sent by Hoseok, and then you took some time to think. The alcohol flavour is not just any berry, It's a vanilla mulberry flavour. When you think of berries, you remember the beautiful nature, but also, you remember how you grew up with your grandmother, spending your holidays with her at her lovely cottage where she planted a variety of vegetables and fruits. You smiled, remembering those tiny moments in life. You looked at the bottle and the packaging of the wine, it's very classy and expensive. Nevertheless, you decided to stick to your own vision of creativity. Maybe something new and out of the box could make it? We don't know unless we try.

You did a little presentation, wrote down details and points regarding it, and prepared yourself for what's coming tomorrow.

-

it's meeting day and you're nervous, your face shows and your fumbling with the fingers give it away too. but you're so glad that Hoseok was there by your side to give your company so you don't feel alone. for the betterment of your meeting, Hoseok advised you about how things work here during meetings. He'd also give you more closure to the CEO's working attitudes. How Mr Jeon, has direct communication, he'd give feedback only when he wants to, if he doesn't. Don't expect. Decisions made by the CEO are tough and final, he prioritizes the efficiency for his business and has high standards that he expects his employees to achieve and exceed, as a matter of fact, Mr Jeon has limited social interactions and he avoids making conversations to anyone in the building. "He may also raise his tone, if he's unsatisfied with your job, so don't freak out." Hoseok says at which you roll your eyes. Of course, he's got the money. And the right to do so.

Lucky for you, you haven't seen much of him after signing the contract, but since he'll be here for the meeting, you wont lie that you feel slightly more than just nervous now, knowing more about him. Its funny how he was a totally different human when he fucked you.

At 2 p.m., you walked into the board room along with a handful of other staff members that included Jimin. You took your seat, and Jimin sat in front of you. You didn't miss how his eyes looked right through you or how his eyebrows moved a lot while he smirks. He looked confident, very confident that his idea will be selected, and it's only making you feel anxious but you keep your face as blank as an empty canvas so no one sees what you feel inside. In about 10 minutes, the CEO of Paris Aliénor, Han Paris and three of his staff members walked inside. Everyone in the room stood to greet him. The man had minimal facial action, that means he had no smile. But he did have his chin raised, like he belongs here and holds superiority.

"Where's Mr Jeon?" He questioned and the staff looked at each other's faces, including you. "Uh, Mr. Jeon will be-" "call him now. You -" he pointed at you with his index finger. "Call Mr Jeon right now. My time is precious." You looked at him and pointed your finger at yourself because you weren't certain if he gave the instruction to you, the staff seated beside you elbowed you and gestured you to do as he said as you nodded and stood from your chair to get Mr Jeon.

"Shit, why did he tell me?" You murmured to yourself while walking towards the CEO's cabin. "Fuck, Just knock, poke your head in, and tell him to come, that's it." You exhaled and then pushed the door open only for it to be fully opened by Mr Jeon himself. You stumbled a bit and then looked up at him, and he looked down at you. "Uh- Mr. Han asked for y- "I know, you may leave."

He spoke without glancing over you even once, the tone he uses to speak has a hint of arrogance. It was rude. You nodded your head and walked forward while he followed you. Jungkook looked at your back while you walked, that same back;

"Fuck- let me go! Horny." You speak as the man tried to put his dick back inside you but you're worn out and cant take anymore, its almost 3 am and you've both been fucking each other like animals. It seems like it wasn't just you that was desperate for sex, he was too. Much more than you. "Fuck- one more round." He whispers to your ear in his raspy voice but you pushed him away and stood from the bed that was wet from all that white slime.

"No, i don't think i could walk-" your feet wobbled a bit when you stood, you didn't walk until you balanced well. The man admired your naked back, he loved how you had the perfect proportions. He could not take his eyes off you. "Seems like your ex hadn't fucked you right." This made you chuckle. "He didn't." You picked up your dress and lingerie, hooking it before slipping into the black dress. "Quickie, i'll be fast-" "get your ass home!" You both bickered, he looked up at the ceiling and laughed quietly. "Zip it up for me."

He turns his gaze on you, sees your back out open. Smirking as he grows closer to you, the elbow helps him lift himself higher so he can zip the dress up, he did, slowly as he took the time to kiss. "Fuck! you're one fucking woman!" "Of course I am." He places his palm on your hair, gripping it and pulling you down to kiss your neck. "I'll mark you for the last time, darling. Then leave and don't ever come back."

He shook his head to forget what he did and all that he told you. He had to permanently delete it off his brain, god he was so done with this. He could sense the tension, but he didn't want to act obvious. You both walked into the board room, and everyone greeted each other before the meeting started. Everything was going okay until the staff were asked to present their ideas. Jimin started off first, and his idea was a classy club advertisement. Han Paris seemed to really like it because you noticed how he kept nodding his head while Jimin spoke the details out and explained his vision. Mr. Jeon had no expressions on his face, like a clear palette. No emotions.

"Thank you so much for your attention." He spoke before taking his seat. He looked at you with a smirk like as if he had already won, and that only made things more difficult for you. Jimin mouthed, 'I win' with his plump lips and you sighed in nervousness, Jungkook noticed the interaction between the two of you, glancing at Jimin then you and he understood immediately, this was Jimin's trick to always out on his opponent even if they both work for the same company. "Ms. Lee, anything prepared for us today?"

Jungkook spoke, and you soon looked at him and then nodded. You've always been confident. Just go for it, don't let anyone make you feel nervous, come on. You thought to yourself and stood from the chair, walking towards the center, you plugged the wire to the laptop and the screen showed everyone your presentation.

You cleared your throat and then spoke about your idea. Everyone had their eyes on you, and that somehow made you feel comfortable talking more about your idea as they seemed interested. "When I first read the description of the product, It immediately took me back to my old days where I would spend my vacation with my aunt and grandmother in the countryside. We had a beautiful mulberry tree, that is the main feature of you-" "can we move on to the other details."

Han Paris interrupted your speech, wanting you to skip the part of your opinion on alcohol. He found it unnecessary and a waste of time. "Uh, s-sure." although you were understanding, it somehow broke your confidence and your flow of speech. suddenly you don't know what exactly to say so you just conclude the speech as fast as you can, so you don't feel anymore anxious

"I think a 90s colourful theme of an advertisement would attract more adults to try out the new flavour, in my opinion, that brings us to an end, thank you for hearing me out." Everyone nodded and gave a slow round of applause while you walked towards your chair to take a seat. Jungkook looked at you from the corner of his eyes and sighed. "What do you think, Mr Jeon?"

Han Paris questioned him, and then Jungkook turned to face him with a fake smile. "I think all my employees' ideas are very unique in their own ways. It's best if you decide along with your team." Han contemplated a little, speaking to his secretary and a few other businessmen from his side, and then he nodded when everyone agreed to him.

"I find Park Jimin's idea suitable. I appreciate everyone's efforts, but I'm going with Park Jimin's." Jimin looked at you and scoffed in arrogance, his actions made you feel worse about yourself. Jungkook nodded and then spoke, "we will begin with the preparations of shooting the advertisement." He swiftly looked at you as you're the creative director now and have to engage in the entire creature process.

"That sounds good to me." Han spoke and then shook hands with Jungkook as they both stood from their seats and then Han walked out of the room, Jungkook fixed his tie in place and looked around the room, he could see how upset you looked behind that fake smile you put on. "Everyone did their best, and all ideas were great in their own way. Don't feel down because you weren't chosen today. There's always a next time."

He spoke still coldly, it's what he always says once a meeting is done. you appreciated his words that he said before he walked away, after everyone stood from their seats to pay respect. "Oh, Ms. Lee, maybe next time, mm?" Jimin spoke and chuckled as he left with the rest of the staff, leaving you alone. You're not being dramatic. You're just embarrassed, and that's obvious. In front of your boss? And stupid Park Jimin, who now has something to laugh and mock about. You stood from your seat and took your belongings as you walked towards your desk. As soon as you placed your stuff and sat on the chair, Hoseok ran towards you.

"Hey, I heard the meeting went well. How was it for you?" You looked up at him and gave him a soft smile that he didn't mirror because he could see that it was fake. "What's wrong?" You sighed deeply and said, "it was okay, Jimin's idea was chosen." Hoseok rolled his eyes. He knew Jimin was already too arrogant and proud of his idea. Now that his idea was chosen, he's surely gonna make it a huge deal. "You did your best, and this was your first meeting. Come on. Cheer up"

You nodded and then chuckled sarcastically under your breath as you whispered, "Han Paris literally embarrassed me in front of everyone." Hoseok squinted his eyes and looked at you with concern. "What did he do?" "He shut me when I gave my own opinion and a story about my family relating to his wine." Hoseok groaned loudly and then looked at you, "you know what, screw him. Let's go get you a treat." You frowned and looked up at him.

"Treat?" "In celebration of your first meeting in Jeon Industries. Come on!" He gave you a wide smile, his white smile and oh boy, does that smile look lovely. You nodded, standing from your seat. You followed him to the elevator to get to the cafeteria. Hoseok is the only one who's being nice to you so far. Everyone else seems to have not noticed your presence yet.

"Did you have your lunch?" "Uh not yet, but-" "I need two cheeseburgers, two sprites, and a blueberry cheesecake, please." He ordered lunch for you even though it was not necessary. Maybe you should treat him with lunch next time. In a few minutes, he walked towards the table with the food in his hands, giving you a wide smile as he handed over your share of the lunch.

"Thanks, Hoseok." "No mention." He said as you both took a bite of the oozing cheese burger. He then took out the little box from the brown paper bag and placed it in front of you, "Here's your treat, the best cheesecake in town for your first ever meeting here at Jeon Industries, congratulations! More to come." You began to laugh, and so did he, laughing out really loud.

Like really loud. "You didn't have to." You say, and he waved with his hand, gesturing to you that it's fine. "I wanted to do this, and we can also take it as the beginning of our friendship." "Sure." The both of you giggled and high five. Hoseok took this time to speak a little more about himself and he even mentioned that his family and friends called him 'Hobi,' so you decided to tease him with the name Hobi too, he shrugged and said he doesn't mind it.

You didn't want to speak a lot about yourself, but you're surely excited to hear more about him. Like this, the working day ended and you didn't really feel bad about the meeting after all, it's a part of learning and now you know you should limit your speech when it comes to your opinion, people like Han Paris just don't care.

You learnt quite a lot for the day, and when you thought this was gonna be the worst day, it turned out better than you imagined. Except meeting Park Jimin in the basement. You walked towards your car, humming to yourself in your own world. Jimin rested his back in your car with folded arms and a smirk on his face. He's the last person you wanted to see.

He's getting on your nerves now. "Well, Ms. Lee, I came here to congratulate you." 'How you embarrassed yourself!' He could clearly see the frustration in your eyes and frown lines. Deeply exhaling, you continued to walk to the driver's side, opening the door, but he closed it with his hand and leaned towards it. "Oh, come on."

"What do you want, Jimin?" You murmured exhaustedly, still holding onto your car door not meeting his eyes because you just want to go home and sleep, you laughed too much today, ate too much, Hoseok treated you with his hidden snacks and you spoke for hours. You need some rest to get charged for tomorrow, and Jimin is certainly not helping. He sniggered cockily, not making any eye contact he looked up at the other cars that were leaving the car park.

"What do I want? Mmm, I love that question- I want your position, and I can only get that once you're out of here." Lord, it's been just your second day, and the man here is trying his best to get you out of your job. Why? Like he's already been paid well. "Jimin, not today, please -" "nuh uh, you stay here."

He pouted his index finger at the ground, showing his dominance with them and how he made his eye contact, his eyes so dark that you couldn't even see any light in them. "Jimin, I'm not in a mood to argu-" "So hear me out!" He spoke louder, making you flinch. He smirked at it and chuckled evil, looking up at the cement wall.

"Oh, Ms. Lee, you don't know what I'll do for the position. I'll do anything and everything to get it. And I mean it." The words came out of his mouth, teeth gritting at each letter, and he was dead serious about it. He's trying to scare you, and it's working. You got into the car without any hesitation, you can't stand him any longer, he looked like he would kill you alive. You, now officially, are a closer step to hating Park Jimin to death.

Day two, and it was fucked up.

when you got back to your apartment you removed those heels, threw your bag on your couch and immediately walked to the washroom. You removed your makeup and took a nice warm shower, still hearing Jimin's words in your head. He surely is crazy, crazy for this position, but there's no way you're giving up on it.

you weren't just given this job from the sky. You worked your ass off with part-time messy jobs, and now, finally, you got a full-time job that shines your inner talent. Fuck Jimin. You had no energy to watch TV or eat. God, Hoseok can eat so much! He forced you to eat with him. But he's a lovely guy, made you feel welcomed and all. You drifted off to sleep, and damn was that a good sleep.

-

You felt motivated to work today, and indeed, the day was going well. Rosè, the receptionist greeted you warmly, and of course Park Jimin had to bless your day on the first floor of the building. You discreetly ran away. His presence can literally ruin a good going day. You pressed level 31, the elevator stopping at a few levels, and employees walked in, greeting you with a bow, and you did too.

The elevator stopped at level 17, the door opening only to make eye contact with the CEO himself. Jeon Jungkook. His eyes met yours, and he immediately looked down at the floor, walking inside. You both could feel the tension building up, and it was suffocating because that night's visions always manage to pop up when he's around.

He gets them, too.

The lift began to get full, and he had to make more space for the employees to enter. He unintentionally grew closer to you, his arm rubbing against yours, and he sighed. You gulped and clutched your bag tighter. You've got no reason to feel this way, but you're more afraid. Afraid that people will notice this because that's the worst scenario you could imagine. As the elevator stopped at 24, a few employees left, leaving you with Jungkook and a handful of people. "Lee y/n, right?" A man with glasses who didn't look older than 22 spoke, holding a stack of papers in his hands.

You nodded, and then his smile widened. "I heard about your idea from a few employees. Guess what? it reminded me of my parents, too. My dad loves mulberry, and when I heard about your nature idea, I was surprised they didn't choose you." His words made your heart warm. People really spoke about your idea? For real?

"Thank you, um - there's always a next time." The boy nodded, and you smiled, bowing when he left at level 27. You couldn't hide that smile that kept getting wider and wider. You had to bite on your lower lip to refrain yourself from giving that extremely huge white smile.

Jungkook looked at you from the corner of his eyes, he obviously had distanced himself from you, leaving a meter gap. Seeing you hiding your smile had him scoff. The door opened, and Hoseok passed by. You immediately ran to him, forgetting that your CEO is just standing there watching you.

"Hoseok! Guess what?! "Woah woah, what is it cheesecake?" He joked, and you hit his arm. "What the hell is-" "cheesecake?" Jungkook whispered under his breath as the elevator door closed and had him all confused. Since when did Mr Jung call people by nicknames? 

next chapter ⇢

[mclalan]

Corp Zomphis, 2020s Design Speculation

I want to talk about Corp Memphis again— that corporate style of gangly, dead-eyed characters trapped in a neoliberal purgatory, posed between pot plants and spreadsheets.

I don't need to go too far into describing it. Heaven knows there are already so many takes on it that you're probably sick of hearing about it. However, I think a succinct description of it can be found at the end of that Wired magazine article from a few years back:

Wired: Corporate Memphis: The Tech Industry’s Favourite New Art Style

"But, despite all this, it may not be worth lamenting the immense reach of Corporate Memphis or the design possibilities we’ve been deprived of because of it. The style is, after all, simply a reflection of big tech, and how it has constructed a world with users on one side and executives on the other.

A more interesting and visually rich digital space would mean more than coming up with a new illustration style—it would require a change in how the tech economy is run. Until then, Corporate Memphis is likely to stick around, bendy arms and all."

This touches on why Corporate Memphis looks the way it does: it's a reflection of the material reality it's made in and the economic conditions it serves.

To work in a design job today often involves being a "multi-practitioner"— corp speak for a jack of all trades. You might have multiple platforms to manage, need to create a mix of media (motion graphics, branding, illustrations, etc.), and produce multiple pieces of content, all for some pointless product consumed by placated consumers.

And that’s all in a day's work, to be repeated the next. It's gruelling, unforgiving, mind-numbing work—especially if you take pride in what you do. Life doesn't become easier, but it does become bearable if the medium you're working in isn't fighting against you. A style that can work across platforms, can be easy enough for anyone in the department to use, but versatile enough to allow effort when there's time and money. It's homogeneous to the point where the messy, qualitative complications of art direction don't come into play. You can download a vector stock or make it in-house with relative ease and speed, and it looks good enough. The consumer, despite being fatigued by it all, seems to find it good enough. And that's what marks the style really: it's "good enough." It's a style linked to speed and practicality in the face of intense demand and pressure, low industry wages, accessible skills for entry levels, and high corporate barriers as everything's locked within Adobe's infrastructure.

But its strength as this homogeneous vector glob style, with its lack of any real individual identity, is also its biggest weakness. Although I'm sure some designers might enjoy working in this style, it's not really a style designed for creative individual expression. It's called "corporate" for a reason. If you want something different, you might be tempted to try freelancing...

Outside the corporate design department, you might think you're finally free to create in your own style, no longer having to work in that dreaded Corporate Memphis one anymore. But it’s hard enough to work in your own individual style under the best of circumstances. That's because the whole economy is based on the same structures of endless content production for algorithmically optimised consumption that allowed Corp Memphis to thrive, so you're still facing familiar obstacles—creating vast amounts of content, quickly, for wide and insatiable consumer audiences. So, in a way, we have this algorithm-enforced market of content, favouring those who have optimised their style to be better seen by it. It's no wonder Corporate Memphis has endured past its welcome.

However, despite all that, illustrators and artists still plod on. They end up making stuff, somehow navigating these systems— either playing them like a fiddle, outright rejecting them, or going accelerationist about it, like with something such as Corecore. Self-expression can take many forms, and that potential untapped capital value is tantalisingly mouthwatering to corporate capitalists.

Corp Memphis is optimised to a fault. It's too polished, too automated, and fits too well with the well-oiled design apparatus. Thus, it's developed a semiotics to reflect this—it's cheap and it's perceived as cheap. That's why an art director (typically) won’t just stick some Corp Memphis imagine on an album cover or use it to illustrate a particular lifestyle magazine. It wouldn't suit it, it's signalling the wrong stuff. Culture, art, ideas, aesthetics are reflected in work created by practitioners with an artistic vision, or that taps into what's going on in the present. And this is reflected in their art style, something Corp Memphis can't easily do, if at all.

That's why there's still a kind of fringe freelance industry with a speciality in design identity, otherwise known in the industry as "creatives", albeit small and closely gatekept by the likes of legacy institutions such as Goldsmiths and corporate industry leaders like The HudsonBec Group. If a corporation needs design to be spiced up with some kind of creative identity, it'll turn to these agencies or freelancers from this background rather than use Corp Memphis.

But the sad thing is how a corporation doesn't have total control over the process and thus can't control the value and pricing since they have to deal with hiring these pesky freelancers. But how does a corporation even know who to hire? With moodboards, of course! It’s easier to hire someone in-house with "good taste," who can simply curate hot practitioners to hire, like a dragon collecting .png gems. Although a corporation will try to get the best deal it can, these pesky freelancers can potentially negotiate a price for themselves, especially if they’re some big shot who holds a lot of cultural capital.

But another benefit of a moodboard is that it can be converted into a design guide. Simply share the sorts of designers and illustrators that a corporation dreams of hiring but with a cheaper designer, and ask if they can copy the desired style for less. Failing that, they can just outright steal the style anyway. If the creator is small enough, who cares?

But the value and cultural capital that corporations must seek outside their infrastructure, the very thing Corp Memphis cannot do, comes at the price of what Corp Memphis can do. Freelancers are annoying to corporations. They’re inconsistent, outside their remit, and expensive—since any level of lost capital is an expense. And worse of all, they don’t own them. Work made in-house in a corporation is completely theirs to be used forever, however they see fit. A freelance gig is limited to the contract, and typically you have to keep paying for different uses, or pay a lot if it’s expected to be used for something big.

How dare these skilled workers... sorry, freelancers, leverage themselves. If only we, the corporation, could control and treat the work of freelanced art direction like we do Corporate Memphis. Well, maybe we can—with AI.

AI is a whole can of worms of its own. But I will outline how AI shares a lot with Corp Memphis in terms of mechanics, but it's not "good enough" like Corp Memphis is in terms of its aesthetics.

Let's put it like this, if Corp Memphis is above a stock image, which is above clip art, which is above a farting Elsa asset-flip mobile game, then AI-generated images are below that, sharing the same disdainful semiotics of a YouTube thumbnail. AI renders are synonymous with trash, with viewers combing over images seeking out any sniff of AI to decry it. This is, of course, unfortunate for corporations, because AI is wonderfully cheap and efficient to produce. The problem with even "the best" AI is that it still reeks of AI, because it's trained on relatively limited data sets that are the wrong semiotics that corporations typically use and that their consumers are typically familiar with. It's not consistent with typical standards and trends. But even the AI art styles synonymous with AI are really that of unfortunate ArtStation artists whose work has been stolen, scraped, and trained into these models. But none of it is directed, follows trends, or should I say, reflects trends favoured by brands.

Design industry standard work is also bolstered by their industry standing. Their "credibility" sets them apart from, as Mark Zuckerberg puts it, the worthless creators and publishers who ‘overestimate their value’. Sure Zuckerberg might say design is worthless, but let's not forget that Facebook Alegria, the design language developed for Facebook by the mega studio Buck Design in 2017, pretty much started Corp Memphis! I don't know how much that would have cost Zuck, but given how huge Buck is, I don't know, close to $1 million if I had to speculate. So what Zuck is actually saying is you are worthless, without your titles and industry standing, and are ripe for the scrapping.

I still think it would appear crass to the wider public if someone as tactless as Zuck were to steal wholesale from something like It’s Nice That's list of featured artists, due to the "prestigious" tutelage and culture capital of such trendy practitioners. Good luck if you're on your own though.

There's also the issue of copyright. I've no idea how litigious David Rudnick is, maybe he wouldn't even mind, but perhaps it would be legally safer to just hire a copycat of him rather than train an AI on his work. There's no shortage of copycats of him after all, and they'd probably do a better job than AI anyway.

No, a corporation if it wants to avoid all this mess will instead use AI this way:

Step One: Moodboardism

Directed by their little Pinterest moodboards and Instagram saves, a corporation will find the next latest and strongest trend that they want to utilise, be it Y2K or whatever's current on the human ant colony-as-algorithm site, Carri Institute's aesthetics.

Step Two: The Sellout

Hire an on trend freelancer with a large sack of money marked with a dollar sign to do a year's worth of graphic content in a particular on trend style. This is all then fed into their in-house AI database model.

Step Three: Rise and Grind

It's then handed over to the in-house sweatshop graphic designers as the latest toolset that they have to use. They're now tasked with grinding out prompts in this trendy style with the consistency, efficiency, and speed once only achievable with Corp Memphis.

So congratulations, now we have AI that isn't generic Facebook shrimp Jesus trash; it'll be its own unique trash. And sure, perhaps some AI artefacts might come through, but that's what the in-house graphic designers are for— to Photoshop those fingers. The corp no longer needs to put up with some meddlesome expensive freelance art director, as the AI model is consistent enough that someone in-house can direct it, just like Corporate Memphis. And even then, if it still comes across as AI-ish, the hope is that for the general public, it's "good enough", just like Corp... You get the idea.

And this is possible because a freelancers' perceived autonomous strength as corporate mercenaries is also their biggest weakness. They think they can dance with the devil and win, making essentially veneers for capitalists, never once thinking the corporations will one day come to extract capital from them too. Corporate Memphis is never going to die; it's going to mutate into a corporate zombie... Corp Zomphis?

Why bother hiring individual skilled freelancers to do a job in a specific style when you have a year's worth of art, seeded by one of them, to prompt out your own "unique" designs in their style. It's more efficient and cheaper to approach design as a egragore hungry for its next feed, rather than pay for a single illustration. But you'll just have to trust me when I say that I'm not making this up; annual hires to train their own ai is genuinely what big corporation are doing.

But what about the industry, are they just gonna let it happen? I don't know. But I think freelancers don't typically see themselves as a working class, but instead as individualistic, competitive even, little businesses. This is why I think corps will be able to steamroll over freelance designers and illustrators with AI driven Corp Zomphis, because there's no solidarity amongst designers and illustrators, unlike US animators with their union and perception of themsleves as workers. If one freelancer rejects that devil deal to make the annual quantity of prompt feed for a corp, then the next hire will. I remember even hearing the AoI stressing how it wasn't a union, as if union was a dirty word. Instead its existence is to help one interface with their corporate client overlord. Well, soon enough that interfacing will be about betraying your industry freelance brethren to a corporate egragore, basically turning everything into a potential Corporate Memphis reskin. If Corporate Memphis is the design logic of the economy of the 2010s, then I wouldn't be surprised to see people nostalgic for it in the future, if the speculative 2020s model I've described turns out to be true.

[plagueddead]

Technoverse - A guide for interaction roleplay and insert wise.

This was EXTREMELY requested

This blog exceeds to help newcomers to my AU environment. This blog will be updated over time if I see fit to change how this works interacts with itself. This blogs images will be updated over time if I find more suitable matches.

Photos have been found through Pinterest and art station. I will try and credit the source if I can.

This is an AU inspired by Rise of the Teenage Mutant Ninja Turtles. This is a free to join au. Major canon characters are prohibited from being claimed. Villains are up to discussion.

This is a isn't the backstory post of the turtles but the world they live in.

THIS AU CONTAINS TOPICS OF RACISM, ILLEGAL SUBSTANCES AND ACTIONS, AND VIOLENCE. Though I've done my best to try and make it as friendly as possible. This AU is a 16+ story due to these warnings.

Current AU time

25 years after the ROTTMNT movie.

AU Theme

Cyberpunk dystopia

Fantasy

Dark fantasy

Major city settings within AU

New York, Hong Kong, Tokyo, Seoul, London

City Summary

After the integration of Yokai as independent civilians and free citizens world wide, and with the collaboration of their technology as well as krang salvage, a new system of buildings and interlinks have been created to accommodate citizens. Buildings stacked overhead that pierce the clouds, the old world was left to turn into slums and poor living areas on ground zero. Due to permanent clouds caused by pollution and overhead cities, these major empires are in a permanent state of darkness. Neon signs often light these cities to create a spectacular aroura of lights and designs. Though with a permanent overcast comes with a cost, as rain clouds mix with polluted smog to create a toxic like rain that causes many illnesses. It's common among every citizen to keep an oxygen mask at all times in case of rain.

City main inspiration and reference: Altered Carbon

Major cities as listed above are unique as floating SSC (Solar System Cosmopolis) Cities cover most of the dense populated area. These floating cities serve as purpose as secured homing for politicians, celebrities, and mostly the rich. Though they are also engineered mega labs founded by Barron Draxum and Donatello Hamato. They serve to bring back and study extinct species, cultivate cures for major diseases, and help improve on already futuristic technology. They spin very slowly and resemble that of a solar system. Hense the nickname.

These cities are held afloat by a self sustainable gravity generator that uses the gravity of a man made miniature star; created by Donatello Hamato (age 20).

Main inspiration from CMD Studios recent project!!!

Hidden cities

These main cities are focused world points for another reason. They rest above other hidden cities in which they have their own theme and setting.

New Yorks hidden city belongs to Big Mama, a spider Yokai who deals in illegal gambling and the distribution of illegal mystic items. NY Hidden city remains as a hub for traveling species of Yokai from all around the world.

Hong Kongs hidden city belongs to [REDACTED TBA]- A Dragon Yokai who deals in illegal sales of mystic items and krang salvage from the old battle.

This hidden city is less developed than the others, as most accomodation plans have been denied to preserve its pristine buildings and history. This hidden city resembles deep mountain caverns with buildings built into the sides. Common mystical creatures from Chinese mythology live within this city and rarely travel. Humans are not allowed.

Main inspiration by David Noren!

London's hidden city belongs to [REDACTED TBA] A plant like fairy Yokai who often helps with creating forged ID's to help Yokai find a better place to live. She also is known to sell potions that aren't approved by the hidden cities overlords and FDA.

This hidden city has developed slowly over time, but due to quick overgrowth of plants and trees. Most buildings have been built into large glowing trees that hang over the city in beautiful rainbow colors. The ground is a great hub for growing fruits and herbs for medicines. The Yokai in this hidden city are spirits from English folklore. They have spread over different cities over time.

Main inspiration found on Thin blue line on Pinterest!

Seouls hidden city belongs to [REDACTED] a Polar Bear Yokai who deals in illegal weapon distribution and species trafficking.

This hidden city is up to date and mostly in an indoor environment due to this hidden city being within a freezing temperature climate. More artic themed Yokai live within, but this hidden city is popular as a summar retreat by humans and other Yokai looking to stay cool for the summer. But this hidden city isn't as welcoming to humans as the others.

Main inspiration by Annabale Siconolfi!

Tokyos hidden city belongs to Yeosobai. A jellyfish Yokai who deals with handles most black markets and distribution of illegal substances.

This hidden city is completely underwater. Surrounded on a deep voided ocean under Japan, pod cities have been added to accommodate air breathing citizens, though most buildings were air tight even before. This hidden city is also a large hub for tourists due to its underwater appeal. This city distributes most seafood around the county. Known for its large amount of attractions and adult clubs, it's also a very crime ridden city.

This is also where Current Donatello resides.

Main inspiration creator unknown

Human and Yokai stances

With the sudden booming population of mutants and Yokai integrating into human society, of course tensions and protests by humans were bound to happen. A world they were so used to was building into something unknown before their very eyes after all. And so, tensions between species rose.

Humans with a deep dislike towards other species either hide their hate, or become extremists. Often getting tag as cultists as over years hate crimes toward Yokai and mutants became a world wide situation. Yokai were often kidnapped from their homes to be found barley recognizable by their attackers. Yokai would retaliate, and after much tension, civil wars broke out. Protests for safer living for both species were in demand, and so most governments integrated an artificial intelligence police force that contained mostly droids to prevent race picking. Most countries have adapted this form of law enforcement.

Cultists are still a major problem though their numbers have thinned.

The term Mutant has become a word to target Yokai and mutants in a hateful way, and this word soon became outdated. All non humans are now under the identification of Yokai. This includes mixed races between the two.

It's common for Yokai and humans relationships! Often by now the first generations of Yokai and humans hybrid children are born!

There are even schools for these rare breeds as they are still being studied as a new species.

It is illegal for most countries to have discrimination between species. No Yokai only or human only living spaces, restaurants, or shops.

Though within most slums there is a secret rule to separate the species as mostly disgrunted humans and Yokai live here.

And now we're here!

I want my character to join the au, but I don't know what's allowed!

This part of the blog aims to help you adapt your character into this new universe.

What should my character wear?!

It's really up to you! Most humans and Yokai wear mostly cyberpunk themed clothing! Often I find Pinterest as a source of inspiration. I think your character would fit better if it comes from a certain part of the world. Armor and glowing clothes are welcome and encouraged! Get creative!

I want my character to have cool robotic limbs and mods in their body! Is this allowed?

Yep! And encouraged! This is a futuristic setting! So modifications to the body aren't uncommon!

Can my characters have cool unique weapons?

Of course! And I'd love to see them!! 🔥🔥🔥

Do I have to ask before joining this AU?

Nope! But I'd love to see/read your creation! Or see that you're inspired to join!

Does my character have to be human?

Nope! Any species welcome!

Can my character already know personally main characters?

That's up for discussion. Current time Donatello isn't open to being known nor talkative to strangers. I'd like it if you didnt. He's playing dead unlike the rest of his brothers. Leo's up for discussion but with Mikey and Raph, they are more social and I can see them having multiple friends. Leo's treated more as a police officer and doesn't have a lot of friends due to his work.

Can my character work for the main boss Yokai of the hidden city.

Yes! I'd like you to stay close to what they do in terms of how they run things!

Can I claim ships with these characters?

NO.

Claiming ships with only your characters and main cast is prohibited. That's why Y/N is created as a medium for all 18+ participants that want to ship their characters with main cast. Ships are fun and welcome! But you cannot claim it as a you only ship.

Thank you for reading what I have for now! More to be added!

[starcurtain]

NO LITERALLY there’s so much worldbuilding potential with humanity evolving differently on different planets….. add space and magic to the mix and there’s an endless sea of possibility…… its so fun just coming up with new explanations for designs and headcanons based on what info we have

Right???

I'm over here like "Is no one gonna talk about how Jade is just straight up using magic?" and "Why is no one making a bigger deal out of the fact that Dan Heng is literally a reptile?" 😂😂

Some Halovians have wings and some don't and nobody's out here coming up with twelve page long scientific treatises on why?!

Normal Star Rail fans: Ruan Mei's creations are so cute!

Me: How does the digestive system in the sentient cake work?

Definitely massively rich in worldbuilding potential; I am constantly itching thinking about the strangeness that these characters must run into every once in a while when their comrades do some spectacularly alien nonsense.

"Aventurine, that's not food--"

"Maybe not to you, but I'm a Sigonian."

[glamphantasm]

The Brothers Discover: MC is a huge nerd.

(part 1) It was a quiet night. One that started out like any other - until MC saw that notebook in the demon's hands. They weren't really embarrassed by their hobby - it was just a creative exercise! Just... they never thought they'd have to explain...

Lucifer

Lucifer first notices MC’s world-building notebook, left open on the kitchen table, with carefully designed cities, cultures, and maps that stretch across multiple pages. The complexity and detail are hard to ignore, and he’s drawn in by the meticulous nature of the work. When MC walks in (a little mortified) to find him flipping through the pages, his usual composed demeanor falters just a bit as he’s caught off guard by the depth of MC’s dedication. He’d be intrigued, even impressed, by their creativity, although he’d never admit it openly. He might ask a few probing questions about what MC plans to do with all of it, but doesn’t fully grasp the concept yet, thinking it’s some form of "hobby writing" or maybe some elaborate personal project. He’d eventually demand to see the finished product, clearly curious about the world MC has built.

Mammon

Mammon happens upon MC’s world-building books when they open a drawer full of notebooks while searching for something in their room. He picks up a few sheets, glancing over drawings of strange creatures, cities, and detailed character profiles. At first, he’s confused – this doesn’t seem like anything he’s seen before. He (half) jokingly calls it “nerdy” at first but is oddly fascinated by the amount of work MC’s put into it. “How much time do ya spend on all this stuff? This looks like some kinda weird fantasy novel or something,” he asks, half in awe, half in confusion. He might suggest, with a cocky grin, that MC could "monetize" it somehow, completely missing the point of the hobby. However, the scale of the world MC has created would impress him, and he’d definitely want to learn more, though he’s too shy to admit it outright.

Leviathan

Leviathan finds MC’s notebooks almost by accident while hanging out their room, debating their next show to marathon. He’s instantly drawn to the beautifully detailed drawings and the elaborate system of cities, races, and magic systems MC has created. To him, it’s like finding the holy grail of niche fandom material – this is the kind of content he craves. He’s hesitant at first, unsure if he should even ask about it, but when MC catches him looking through their notes, he turns into a rambling mess. “Y-You’ve been making all this…? This is amazing! It’s like a real-life game world… but better!” He’d immediately bombard MC with questions about their process and ask if they’d ever considered turning it into an actual game, his eyes gleaming with excitement.

Satan

Satan would discover MC’s world-building when he finds a stack of meticulously organized books and maps lying on their desk, with extensive notes on history, magic, and political structures. His eyes would light up – this is the kind of detailed world-building that he admires. He’d pick up a few of the books and begin reading, noting how rich and thoughtful the material is. When MC catches him, he’d immediately start discussing the philosophical implications of MC’s world, not realizing that it’s a personal project, not an actual published work. “This level of detail… you’ve created entire cultures. Have you considered sharing this with others? The depth is staggering.” His reaction would be one of admiration and genuine curiosity. He might even suggest working with MC to fine-tune certain aspects, his academic side completely charmed by MC’s dedication.

Asmodeus

Asmodeus finds MC’s notebooks during one of his frequent “cleaning” sessions, where he’s tidying up to distract himself (not snoop – never snooping!). He sees the beautifully designed characters and intricate landscapes and is immediately intrigued by how much effort MC’s put into their creations. “Oh, darling, you’re making this whole world just for fun? It’s so cute! Look at these characters – they’re so stylish!” At first, he’s more interested in the aesthetics, admiring the designs and wondering if MC has made any fashion-related decisions for the world. When MC explains the amount of time they've dedicated to this world, Asmo’s fascination deepens. He loves the creativity, and he’d probably push MC to share it with others – especially if there’s a potential for some form of glamorous social game or showcase involved.

Beelzebub

Beelzebub stumbles upon MC’s notes when he’s hanging out in their room and knocks a few books off the desk. When he picks them up, he’s intrigued by the artistry and the world-building details within. He’s quiet at first, just flipping through the pages, admiring the maps and illustrations of creatures. It’s not immediately clear to him what exactly MC is doing, but he senses the passion behind the work. When MC explains that they’ve been designing the world for years, Beel would listen intently, impressed by the dedication. “That’s… a lot of work. It’s really cool.” He might not fully understand the mechanics, but he’d respect how much effort MC has put into creating something all their own. He’d be willing to listen more if MC ever wanted to talk about it.

Belphegor

Belphegor discovers MC’s world-building when he notices an ornately designed notebook poking out of their backpack while passing by. He picks it up out of sheer boredom, but the detailed character designs and strange world fascinate him. “What is all this stuff? It looks like a story or something,” he asks, flicking through the pages lazily. When MC explains that they’ve been designing this world for years, Belphegor's curiosity is piqued, though he’s not one to give too much of a reaction. “Huh. That’s a lot of effort for something just for you. I bet it’s good though. You always put your mind to weird stuff like this.” He’d likely be intrigued, but his nature means he wouldn’t push MC too much about it unless they offered to share. However, in his rare, more sincere moments, Belphegor might mention that he admires their commitment.